In Arabic, Adéle’ means ‘justice’, and it’s wonderful to see that Abdellatif Kechiche’s masterpiece has rightfully received it’s ‘Adéle’ – not only in critical accolades but in global audience attention too. This film is overflowing with subjects to discuss: New Queer Cinema, physicality, use of colour, twenty-first century existentialism (which Adéle defines as “existence, essence; Read More
The Devil in the ocean, [how] it had cursed the town and all the children in it. Paul Wright’s first feature length film has been widely anticipated after his short Until the River Runs Red, a story of a little girl, God’s daughter, lost and wandering in the wilderness, won Best Short at the BAFTA Read More
Norman Jope’s Aphinar is not an easy read. It is a collection which requires full investment from the reader. It is ambitious. The diction is complex and the content rich – dense, even. As far as first impressions are concerned, Aphinar is, without doubt, intimidating. Yet, it is also immediately captivating – cohesive, intricate and Read More
Ovid wrote Heroides over 2000 years ago, and in the succeeding millennia attitudes towards this remarkable text have veered from reverence to disdain. Once his most celebrated work, recent critics have held it in less high regard. This series of letters from the women of Greek and Roman myth to their absent lovers has been Read More
“Every poet is ideally the deaf Beethoven”. This double-billing was both welcome and apt for Michael Hulse, the distinguished poet, editor, translator and educator. Born of a German mother and an English father, he probed an identity and a “complex legacy”, acknowledging that the post-colonial weight of the British Empire was no less difficult than Read More
One was immediately given some idea of Lesley Riddoch’s character when the audience was told that she arrived straight from a hospital visit some 40 miles away in Kirkcaldy. In fact, such was Riddoch’s warm humour and enthusiasm in the session that it was easy to forget that you were listening to one of the Read More
As we approached the final event of Dundee Literary Festival 2013, we charged our glasses and toasted 40 years of Canongate. Originally founded by Stephanie Wolf Murray, Canongate was brought back from the brink in 1994 by current publisher and managing director, Jamie Byng, who is now still at the helm of the company. At Read More
“Research is the fascinating bit [of writing historical fiction] but you have to get rid of a lot of it.” Clearly, a lot of what was not used for the writing of Unfashioned Creatures, was used during the book launch in what felt more like a lecture than a promotional event. Whilst the “lecture” was Read More
Unfortunately, as sometimes happens, the previous event ran over the allotted time and the session with Sarah Hall and Ruth Thomas was delayed by twenty minutes. It was unfortunate not only because waiting around is the last thing anyone enjoys doing, but because the discussion hosted by Peggy Hughes, the Dundee Literary Festival director, was Read More
Estás sola y nadie te mira. Eres la reina, bella como la luna envuelta en la seda de su noche. Estás sola y te vas a morir./ ’You’re alone and nobody looks at you. You’re the queen, beautiful as the moon wrapped up in the silk of her night. You’re alone and you’re going to Read More