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Non-Fiction

Featured image of A Theft: My Con Man

A Theft: My Con Man

Hanif Kureishi, a man who counts not only fiction, but also screen and play writing amongst his repertoire, here turns his hand to personal reportage. A Theft reads as a confessional essay of sorts. Kureishi tells us of his own experience of having his savings stolen by his newly employed accountant, Jeff Chandler. Chandler appears Read More

Featured image of This Boy

This Boy

I penned this on the day Jeremy Corbyn was elected Labour leader. In keeping with so many former Labour luminaries, this was a result campaigned against by Alan Johnson. Despite their political differences, Johnson and Corbyn share similar histories. Born within a year of each other, neither went to university. Both were schooled in politics Read More

Featured image of Smoke Gets in Your Eyes: And Other Lessons From the Crematorium

Smoke Gets in Your Eyes: And Other Lessons From the Crematorium

“A girl always remembers the first corpse she shaves” is the first line in Caitlin Doughty’s memoir. It evokes interest and revulsion in exactly the way the author intended, and it’s a theme that is carried throughout. Smoke Gets in Your Eyes is an aptly titled creation by a writer who describes herself in the Read More

Featured image of The Internet Is Not the Answer

The Internet Is Not the Answer

There is something deeply wrong with this book. The problem is not the subject matter. The Internet Is Not the Answer is an attack on the way a crude ideology of “winner-takes-all” capitalism is shaping the Internet today through companies like Google, Apple, Facebook and Amazon, and, more revealingly, through newer companies like Instagram, Uber Read More

Featured image of Does Altruism Exist?

Does Altruism Exist?

Cooperation and selfless behaviour appear to be obvious and necessary characteristics of the human condition, but are they merely enlightened self-interest in disguise? David Sloan Wilson’s new book, Does Altruism Exist?, is a vehicle which promotes his views on the evolution of selflessness, especially, but not exclusively, within human communities. It is a topic of Read More

Featured image of Young Eliot: From St Louis to The Waste Land

Young Eliot: From St Louis to The Waste Land

Robert Crawford’s biography is probably the best account so far of how The Waste Land came to be written, and what resources it drew upon. This is not to treat the poem teleologically, as though Eliot had always been working towards it. Rather, the biography simply acknowledges (not least by its subtitle) that Eliot would Read More

Featured image of A Higher World: Scotland 1707-1815

A Higher World: Scotland 1707-1815

It is not easy to reconcile the Scotland that reluctantly became England’s “poor partner” in 1707 with the “Enlightened”, intellectually progressive country of 108 years later. By the close of the first century of parliamentary union, the once “backward” northern state had become renowned for innovations in economics, literature, philosophy, and architecture. In tracing this Read More

Featured image of Daunderlust: Dispatches from Unreported Scotland

Daunderlust: Dispatches from Unreported Scotland

Daunderlust – meaning the compulsion to meander – is a term as applicable to the scope of Peter Ross’s latest essay collection as its content, collated as it is from four years of Scotland on Sunday columns. With a remit to report from within where most have never dared nor thought to enter, the peripatetic Read More

Featured image of Epilogue

Epilogue

“It was wonderful or awful, comic or absurd, poetic or grotesque- to lose one family, then find you had another-but no one seemed able to say which, least of all me.” For those looking for a light summer-read to breeze through on their holiday, Will Boast’s Epilogue might not be the best choice. Telling the Read More

Featured image of All Art is Political: Writings on performative art

All Art is Political: Writings on performative art

All art is political: Writings on performative art is a collection of interviews and essays on artists whose art lies less in the artwork itself and more in the context in which these artworks are placed. The first interview, with Keith Rowe and Mayo Thompson, suffers from the fact that two artists are interviewed. As Read More

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