In all honesty, when choosing which Eliot Prize shortlisted collection to review, I decided upon Not in This World simply because Tracey Herd lives in Dundee; I felt a real curiousity about the work of this local poet. Soon, I discovered that Herd’s connections with not only the city but with the University run deep: Read More
at the time of writing the boundless joy of a pre-walk dog is suggesting itself in the writer’s chest (“immortelle”) Beauty/Beauty is Rebecca Perry’s first book-length poetry collection. The London-based poet sculpts a world from snapshots of memories and eulogies, written sensitively from the female perspective. As the title suggests, Beauty/Beauty is a mirror, offering Read More
As a poet who often courts the epithet, “a poet for the people”, one would think this phrase would perhaps daunt an artist as far into his career as the 77-year-old Les Murray. This is not the case, as can be seen clearly in Waiting for the Past, the prolific poet’s fourth full-length collection in Read More
The Observances of Kate Miller’s debut collection are more than observations, more than watchfulness; they are imbued with an appreciation of ritual, whether human or, in nature, a ritual-like patterning. Such is her acute scrutiny that for much of the time the poet erases herself, willingly passive in a world intensely experienced. The first two Read More
Tim Liardet’s The World Before Snow, his second collection to be nominated for the T. S. Eliot Prize, is described by Carcanet as “a book of passionate extremes.” Inspired by the poet’s chance meeting (and subsequent love affair with) an American poet after the two were trapped in a Boston museum during a snow-storm, the collection showcases the transformation and self-exploration Liardet underwent following this encounter. This is a collection of contradictions: of loose and tight images, long and short stanzas.
The Guardian Art Critic, Adrian Searle, wrote that there are many artists, “who, furrowing their brows and trying to convince us of their seriousness, aren’t half as profound or compelling.” He was referring to Turner Prize 2013 Nominee David Shrigley, but he might equally have been speaking about Selima Hill, whose latest work, Jutland includes Read More
If you keep up with magazines such as 3:AM, Under the Radar, Hearing Voices or Tears in the Fence, you may be familiar with many of Melissa Lee-Houghton’s poems in Beautiful Girls. Previously recognised in the Lupus UK Competition as well as by The New Writer Collection, Beautiful Girls is now listed as a Poetry Read More
A Bird is Not a Stone is thought provoking, honest and often deeply uncomfortable. This collection was written by twenty-five of the foremost Palestinian literary voices, four of them women, perhaps a reflection of gender-based disparity existing within the country. Since the Israeli occupation, which began in 1967, Palestine is a nation besieged. The erratic construction of barriers Read More
The human body is constantly changing. Capable of being strong, developing healthily through adolescence, for example, it can also weaken through illness or injury. In One Still Thing, Nell Regan’s latest poetry collection, the fluctuating fortunes of the human body is presented through the weather and different elements. These changes (from solid to water to Read More
Stuart Paterson is an Ayrshire-born poet writing in both English and Scots. Border Lines is his third collection, its twenty-four poems focusing on Dumfries & Galloway’s landscape and people. Beginning with a manifesto of sorts; “High Tide at Sandyhills” sees the world open up beyond the Galloway coastline, but ultimately the poet is unable or Read More