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Featured image of The Mission House

The Mission House

Carys Davies is a novelist and writer of short stories with an impressive array of accolades. I approached her latest novel The Mission House with curiosity and found myself completely immersed in the wistful, gently paced narrative. That is not to say that the novel is lacking; Davies weaves the plot in a temporal structure that comfortably outpaces the reader, and while the lyricism and imagery in the tightly pruned chapters project a magical aura of India, the allegory is a backdrop of post-colonialism and modern political rumblings which hang in the air like humidity; not quite visible yet distinctly discomforting.

Featured image of Ghost Wall (longlisted, 2019 Women’s Prize for Fiction

Ghost Wall (longlisted, 2019 Women’s Prize for Fiction

The moors of Northumberland remain wild. Despite the encroachment of pylons and roads, the bogs still hold secrets of the past and dangers in the present. Sarah Moss evokes the stark beauty of the moors in her sixth novel, Ghost Wall. In fewer than 150 pages, she weaves a tale of prejudices, cruelty, rage, mob Read More

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