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Featured image of The Illustrated Woman (SHORTLISTED, FORWARD PRIZE FOR BEST COLLECTION)

The Illustrated Woman (SHORTLISTED, FORWARD PRIZE FOR BEST COLLECTION)

I picked up this title initially because I still blanche whenever my daughter shows me her new tattoos; but I also heard Helen Mort’s very interesting exchange with Lou Hopper about ‘getting inked’ on Radio 4’s One to One in February last year. Mort is, of course, an award-winning poet that is based in Sheffield and whose interests take in an astonishing range–mountain climbing, trail running, northern cites, conflict and motherhood—all handled with a sure and delicate lyricism, and a poet’s ear for the cadence and fall of the line. So The Illustrated Woman promised much.

Featured image of Division Street

Division Street

The cover of Helen Mort’s debut collection consists of a photograph of a miner confronting policemen during the 1984 Strike; Division Street promises a work “marked by distance and division”, “[f]rom the clash between striking miners and police to the delicate conflicts in personal relationships”. The title itself announces this. Outwardly then, the book indicates Read More

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