The cover of Sheenagh Pugh’s new collection features a photo of the long shadows of two people, standing on a beach, apparently looking back on their own footsteps. Backdropped by a close-up of round, eroded stones in a blue-grey scale, that opening image accurately reflects the title – Short Days, Long Shadows. Focused on the Read More
Ian Duhig has been, to use Lawrence Sterne’s own phrase, “Shandying about” in Yorkshire for Digressions, his collaboration with artist-printmaker, Philippa Troutman. In 2013, the tercentenary of Sterne’s birth, they set out from Shandy Hall, Coxwold in North Yorkshire where The Life and Opinions of Tristram Shandy was written, to celebrate Sterne’s great work through Read More
Born in 1968 in Broughty Ferry, Hazel Frew is now Glasgow-based. She has published in various magazines, including Orbis, The Rialto, Poetry Scotland, Fras and New Writing Scotland. Minim is her second poetry selection to be published by the Rack Press, the first being Clockwork Scorpion in 2007. Her first full-length collection, Seahorses, was published Read More
…because he has no highfalutin song to sing, no neat message for the nation. (“Goalkeeper with Cigarette”, 1995) To open up this Simon Armitage retrospective is to delve into a treasure trove of the surreal, the unlikely, the ironic, the laugh-out-loud comic, the darkly humorous and the downright horrific. Above all, it is a delightfully Read More
Rosalie Beatrice Scherzer was born in 1901 in Czernowitz to German-speaking Jewish parents. Having studied literature and philosophy at the city’s university, she emigrated to the US in 1921 with Ignaz Ausländer, her future husband. Although she was divorced from Ausländer after only three years of marriage, she is still best known as Rose Ausländer. Read More
Reliquiæ is an annual little magazine of poetry, short fiction, non-fiction, translations and visual art.Volume Two’s deep-green cover asks the reader to connect the book with “A tree, a rock, an embedded boulder, a ruin, a body, a hand, a passage” before opening it. These are not clearly linked objects: you can enter a ruin, Read More
“An Eschatological Bestiary admits to different foci. Recording descriptions of natural history and popular accounts of climate change and inequality, its faunal composition offers symbolic visions, modern protest, and a complete exegetical interpretation of the dramatic rise of an apparently semi-permanent moral blank.” The above is an excerpt from the introduction, which explains what Hardwick Read More
I was born in the city named after Odysseus and I praise no nation – to the rhythm of snow an immigrant’s clumsy phrases fall into speech. Ilya Kaminsky is an immigrant but in this his first full collection his phrasing is anything but clumsy. Born in Odessa, his family was granted US asylum in Read More
Henry Shukman’s Archangel, published just under two years ago, was much anticipated; it was his first collection since the publication of his award-winning debut In Doctor No’s Garden, over a decade ago. The central sequence of this work addresses a captivating piece of little-known history: the story of thousands of Jewish immigrants, tailors, to be Read More
Granta 2012 Poet and visual artist Sean Borodale’s debut collection, Bee Journal rightly earned him an Eliot prize shortlisting and a Guardian Book of the Year accolade. What he terms “poem work” involves making verse in situ – smoked at the opened hive, or note-sticky at the honeyed centrifuge. If most poems may be considered Read More