Offred, in Margaret Atwood’s dystopian The Handmaid’s Tale, passes the execution Wall one day and sees dangling corpses marked with the letter ‘J’ in red: ‘It doesn’t mean Jewish, those would be yellow stars […] So the J isn’t for Jew.’ Howard Jacobson has now built an entire fictional world on this word beginning with Read More
Woody Allen’s films have something of a cult following. Like other directors before him, his name has become more than just a signature on his work; it has become a brand. The recognisable combination of white-font-on-black-background and easy jazz music has the ability to greet fans of his work with a sense of spellbinding wonder Read More
Revivals of First World War literature have been in plentiful supply throughout 2014, though few are as conceptually charged as Trevor Royle’s latest offering. From the “doldrums” of the Kailyard – the rural arcadia that had become intrinsically linked with the nation’s written word – Royle’s introductory essay alleges that war sparked an identifiably Scottish Read More
Jeepers Creepers, a monkey in space! Jesus Christ, they’re electrocuting it! In 1971, Eduardo Paolozzi had his only full retrospective in Britain at the Tate Gallery – it was a flop. Critics proclaimed that his imagery was overused and his ideas stagnant. Now, in 2014, The McManus brings together a selection of Paolozzi’s work from Read More
“I give you the truth in the pleasant guise of illusion.” In the treasure-house of memorable productions staged by Dundee Rep Theatre, Jemima Levick’s version of Tennessee Williams’s iconic name-making play, The Glass Menagerie, must count among the best. I was unprepared for the sensitivity, perfect timing and sheer dramatic artistry of the actors in this four-hander, Read More
Butterflies in November is a sweet, kooky novel. In it, the unnamed narrator, who can translate between Icelandic and “11 other languages” is rejected by her lover, divorced by her husband; she also wins two lotteries, and drives around Iceland’s ring road in November. This is a novel invested in the interplay between reading, living, Read More
“The nation holds it breath, awaiting the cataclysm. Nothing happens. The nation breathes out in anti-climax. They go back to what passes for normal. Around here they’re more normal still…it’s the riverside cacophony that insulates them”. So begins the Second World War in Articles of Faith, no more than “distant tremors” from “that vague entity” Read More
Although generic stock images and humorously isolated body parts have influential presence on the internet, we are perhaps less familiar with these images in material cardboard form, dotted around the white “background layer” of the art gallery walls as they presently are at the current DCA exhibition. In fact from afar, your eye might momentarily Read More
This collection of fourteen short stories from Rodge Glass is refreshingly acerbic, inventive and cynical. Although most of the stories have been published previously, and separately, they have been brought together here very effectively, and are supplemented with selected poetry and artwork, as well as a handful of new stories. All of the stories follow Read More
“Suburban noir” is a growing sub-genre in American crime fiction, fuelled by the success of TV series such as Desperate Housewives and Breaking Bad. And When She Was Good makes a welcome contribution to this trend, though an uneven one. In the afterword to the novel, Laura Lippman claims that she wanted Heloise Lewis, the Read More