Kayo Chingonyi steps back into a place where the imagination and memory become one. Born in Zambia, brought up in London, and now teaching at Durham University, his collection explores the multiplicity of identity and the emotions that flow into it.
Two naked black men, one lifted up by a balloon, the other letting go of him. This stunning image on the front cover is intensified by a photograph of the poet on the back cover – Danez Smith, a black, gay, HIV-positive, queer slam poet from Minnesota. Don’t Call Us Dead has been shortlisted for Read More
Liz Berry opens her debut collection, Black Country, with the jubilant line, “When I became a bird, Lord, nothing could not stop me”, and, indeed, she never stops soaring. Themes range from summers of childhood innocence to sex and marriage, all set against Black Country landscapes, history and characters. In these dazzling, sensuous, and utterly Read More
The cover of Helen Mort’s debut collection consists of a photograph of a miner confronting policemen during the 1984 Strike; Division Street promises a work “marked by distance and division”, “[f]rom the clash between striking miners and police to the delicate conflicts in personal relationships”. The title itself announces this. Outwardly then, the book indicates Read More
