Em Strang (Shearsman Books, 2016); pbk: £8.99 Em Strang distrusts labels. For her “Eco-poetry” carries connotations of Green activism, yet she accepts her work is “ecological”. Undoubtedly a feminist, she won’t have her work so named. Equally, she is certain that she is not a nature poet, and though her work has roots in mythology Read More
“This little patch of ground was exactly that: common. And all the richer for it.” In a sense, this sentence summarises both the strengths and weaknesses of Common Ground. In particular, pragmatic people are likely to ask: “If it is so common, what warrants writing so extensively about it?” From a reductive perspective, one might Read More
Robert Macfarlane’s Landmarks is much-coveted; though newly published, it feels entrenched in the nature-writing canon already. From the exquisite cover and fine end-papers on, it should be owned by all lovers of landscape and language. Perhaps that is as far as Landmarks can, and should, be categorised. Macfarlane’s prose-poetic text calls for “a decentred eye Read More
Carol Rumens, in the Guardian (24 March 2014) reviewed one short poem from this collection and used more words than I have for the whole book. The poem she picked, “Critique of Judgement”, is one of my own favourites because it is deceptively simple, using almost clichéd metaphors and similes but configuring them in a Read More