Hannah Copley,(Liverpool University Press, 2024); pbk £10.99 Hannah Copley’s second collection Lapwing intermeshes avian environments and human emotions, overlaying natural and social ecologies into a bleared landscape of unsustainability and grief. Copley interweaves the relationship between the bird, Lapwing, and his neglected daughter, Peet, with a sequence documenting whole flocks of unidentified birds in ‘SIGHTING’, Read More
Katie Farris(Pavilion Poetry, 2023); pbk £10.99. American writer, poet, academic and translator, Katie Farris delivers her memoir in poems with generosity of spirit and stunning lyrical dexterity, especially following a devastating cancer diagnosis. She is the recipient of the Pushcart Prize, the 2021 Chad Walsh Poetry Award, 2018 Anne Halley Poetry Prize from The Massachusetts Read More
London-born poet Denise Saul writes from the heart about her experience of being her mother’s carer in this tender debut collection of prose and free verse poetry.
One of the first pages provides a definition of the word ‘stroke’, which seems significant, acting as a bridge between the first two poems. Significant too in its placement in the collection – directly after the titular poem: ‘The Room Between Us’. This poem gives us an insight into Saul’s feeling finding her mother lying alone having fallen, with the lights out, behind a door at home:
Alice Hiller’s potent debut collection, bird of winter, commands respect and reverence. Composure is required to absorb this essential and courageously intimate exploration of sexual abuse.
Written against but within the context of an emerging fortress Europe, the philosopher Jacques Derrida wrote in Of Hospitality that ‘absolute hospitality’ seeks no conditions but ‘requires that I open up my home’ to ‘the foreigner’ and let them arrive and ‘take place in the place I offer them, without asking… either reciprocity (entering into Read More
At the intersection of poetry, philosophy, and psychoanalysis lies Nuar Alsadir’s Fourth Person Singular. The title is a play on words. If to speak in the third person is to speak removed from the situation, the proposed fourth expands on this separation This manifests in the dreamy detachment and self-reflective awareness that underlines the collection. Teetering in Read More
Eleanor Rees’ latest collection, Blood Child, deals primarily with people and places, with Rees taking great care in establishing tone and atmosphere through skilfully painting romantic landscapes. To me, it seems that Rees’ poetry is much more concerned with creating images and aesthetic appeal rather than an exploration of subject matter or themes. Often the Read More