Imagined Spaces

How do you cut into what Elizabeth Chakrabarty terms ‘the Trojan horse’ of the essay? Whether it’s lyrical, discursive, inter-medial, associative, reflective, self-reflexive, or something yet undefined, from the outset of Imagined Spaces, the form is as far from the familiar academic expectation as may be dreamt. What then is this literal try, this attempt, Read More

Whitney McVeigh, “Uncertain Materials”

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Stephanie Bishop, ‘Songs I can’t Play’

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Meaghan Delahunt, “Life in the Bardo”

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Lorens Holm, ‘Politics of Small Spaces’

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Graham Johnston and Chris Arthur, ‘Line Drawing’

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