All the Men I Never Married (Shortlisted, 2022 Forward Prize for Best Collection)

None of the poems in this, Kim Moore’s more recent collection, have formal titles. Numbers, yes, and the contents’ list identifies them by their opening words. The acknowledgements credit sources as diverse as Hélène Cixous, Thomas Hardy, Adrienne Rich and Rainer Maria Rilke, but in the opening poem, ‘We are coming’, it’s impossible not to see a baton already being passed from Sylvia Plath; soon after it’s hard to avoid shades of Carol Ann Duffy’s Red Riding Hood, or to hear Hilaire Belloc’s ‘waterfall of doom’ building its inevitable force. The tributaries are indeed wide-ranging, which seems entirely in keeping with the complex and very painful issues Moore has the bravery to explore. Rarely has it been more important to read a poetry collection in the sequence the poet has ordered; there are no lines to be skimmed.

For Now: An Interview with Meaghan Delahunt

Meaghan Delahunt, a small sunburst of a person, meets me on a cold mid-March morning in Edinburgh with a smile and a joke about elbow-bumping, softly deflecting the viral threat of a handshake or hug as only an avid reader of that day’s online news would know to do. On the train and in the Read More

Aren’t We Sisters

Following on from her previous novel The Midwife’s Daughter, Patricia Ferguson returns to the sleepy Cornish town of Silkhampton to tell the story of both new and also some familiar characters. Set in the early 1930s, the book revolves around three women, all widely different but drawn together by circumstance into a situation which will Read More