Giacomo Abbruzzese (dir) It has been a long time since I have been so impressed by any film. I initially attended Disco Boy at the DCA because of Franz Rogowski playing a Belarussian ex-con Alexei, but I ended up leaving the cinema in admiration of Giacomo Abbruzzese’s talent. Within the first few minutes of the Read More
Yorgos Lanthimos (dir)USA / UK / Ireland, 2023 Poor Things, a continuation of Yorgos Lanthimos and Emma Stone’s creative collaboration (The Favourite (2018) and Bleat (2022)), is a strange yet intoxicating wonderland, full of soul, humour and sex. An adaptation of Alasdair Gray’s novel of the same name, the film is set in a 19th Read More
Darren Aronofsky’s The Whale is an intriguing encounter of the final moments one desolate soul, Charlie, makes on a path riddled with mistakes, a journey all of us know. Having abandoned his now 17-year-old daughter ten years ago, he is in search for redemption as a parent whilst battling with two major struggles—his declining health, as well as the guilt which lingers as a result of abandoning his family.
At times harrowing, at times sweet, director Todd Haynes’ lead on this documentary film effectively recreates the sensory overload of a Velvet Underground record. Haynes’ filmography is not shy of experimental musician biopics and documentaries, including I’m Not There (2007) and Sonic Youth: Disappearer (1990). In this instance, the techniques used often submerge the viewer into the avant-garde and counter-culture lifestyles depicted for the film’s larger part to hypnotising and evocative effect.
Until 8th September 2021Available to stream from Dundee Rep Theatre Kai Durkin Light spills from a door at the back of the stage inviting us into the theatrical space. The camera pans across a ghost light, an empty auditorium. From backstage, through the door, Bethany Tennick wheels a box onstage and begins setting up her Read More
Until Saturday 20 March 2021Royal Shakespeare Company; available to stream live at https://dream.online/ There is no way to overstate the heavy toll continued covid restrictions has taken on the arts industry, especially theatre. Yet, companies and practitioners persevere, experimenting with new ways to deliver remote performances. One such experiment is Dream, a new production from Read More
In 1917 Sam Mendes has created an astonishing work of cinematic art through the masterful combination of continuous, single-shot cinematography by Roger Deakins; concise, effective screenplay co-written with Krysty Wilson-Cairns; and haunting, dramatic score by Thomas Newman. Mendes’ direction in this film is intense. His use of long takes and clever editing bring the viewer Read More
Knives Out opens with a wide-angled long take of the opulent house where a death occurs. After a time, guard-dogs, previously heard dimly behind the studio logos, bound into view and pass to the right, intent on their prey. In these few moments director/writer/producer Rian Johnson establishes the mood of the film: gothic, whodunnit, film Read More
There is a curious quality to Todd Phillips’ Joker. Since release the film has been dissected ad nauseum, striking a chord with the popular consciousness and sticking in the mind like a cinematic earworm. Unfortunately, despite its commercial success, the film has firmly missed the mark. Clearly, a lot of talented people worked on Read More
