City of Departures represents departures from home, touching down in a number of European cities, but it also represents a departure from reality, diving deep into an uncanny, dream landscape. That landscape is urban, but it is not to be found in the busy carriageways and shopping centres, nor the packed pubs and restaurants and travel Read More
Isabel Galleymore’s first full collection begins with an epigraph from Donna Haraway drawing attention to a planetary ecology where different species share developmental trajectories and living spaces; these are ‘companion species’ that are nevertheless distinct and irreducible one to another. The challenge in Significant Other is to avow species strangeness without estrangement. Not to exoticize Read More
Certain kinds of children’s stories have long promised that anything is possible at night when the rest of the world is asleep. So there is a certain magic in just the conceit behind the title of Niall Campbell’s Forward Prize shortlisted second collection. A ‘noctuary’, we are told, is ‘a diary for the late hours’ Read More
The Glass Aisle enfolds the reader with intricacies and figures of sound, exploring noise, rhythm and also silence within its pages. Addressing time, loss and childhood memories ─ told through the stories of ordinary people ─ the collection’s musicality and its preoccupation with voices make for its signature sonic tapestry. This is the tenth book of poetry from Read More
Capturing the experiences of womanhood with currency for our time may require an acknowledgement of contrast, notably between the furiously public domain of the #metoo campaign and its associated high-profile sexual assault cases, and the hidden realities of motherhood and female domesticity. Fiona Benson’s second collection of poetry, Vertigo & Ghost, delivers a duality that Read More
Deaf Republic begins with a gunshot. As an innocent deaf boy falls to the ground, the townspeople choose silence over the sound of a child’s body hitting the street, a sound that would be filled with pain and injustice: ‘The sound we do not hear lifts the gulls off the water’. The rest of the Read More
Raymond Antrobus has chosen the epigraph for his first collection wisely: ‘There is no telling what language is inside the body’ (Robin Coste Lewis). Antrobus explores his experiences with late-diagnosed Deafness, mixed heritage experience (Antrobus is Jamacian British), and an alcoholic parent; but beneath these concerns is ultimately his passion for communication. There’s something that Read More
On April 15th,1989, 96 lives were lost in the infamous Hillsborough Stadium Disaster, when two pens filled with fans became fatally overcrowded during a match. Although the cause of the tragedy was originally attributed to drunkenness and football hooliganism, a second inquiry in 2016 painted a picture of negligence, incompetence and corruption. 30 years on Read More
Not rivers, towers of blood. (‘Sentence’) In 1981, Glasgow School of Art’s Ceramics Department and its famous dances, were housed in the Haldane building, the city’s shambolic former police horse stables. This may have been a long way from New Cross Road, the tragedy, the official and media indifference in its aftermath and the lasting Read More
From the first moment we set foot onto ‘Yoshi’s Island’ in Stephen Sexton’s If All the World And Love Were Young, we are whisked along. There is no time to situate ourselves before we are riding on Yoshi’s back through the long-distant lands of Sexton’s childhood where he joins Mario in battling against the bosses Read More