Kevin Barry’s most recent collection of short stories, That Old Country Music, once again proves his stronghold in the industry. The highly-acclaimed Irish writer uses this collection to explore many narratives that flow alongside the perils of passion. Barry creates this standpoint as a sort of anti-romantic. Each of the eleven stories proves of great interest in this way: from the heartbreak of a loveless life in ‘The Coast of Leitrim’ to the lost narrative of a runaway child in ‘Roma Kid’.
Until Saturday 20 March 2021Royal Shakespeare Company; available to stream live at https://dream.online/ There is no way to overstate the heavy toll continued covid restrictions has taken on the arts industry, especially theatre. Yet, companies and practitioners persevere, experimenting with new ways to deliver remote performances. One such experiment is Dream, a new production from Read More
There is a warmth that emanates from the pages of Sheila Templeton’s eclectic collection of remembering, intimate reminiscences that span a lifetime, taking in a whole generation of perspectives. Clyack is a passage through life that can be enjoyed from cover to cover or, like the recollections explored and shared, as memories that surface in the mind, singular and unexpected though inextricably linked.
In her poem ‘hand-me-downs’, placed boldly near the very beginning of her debut collection Collective Amnesia, South African poet Koleka Putuma writes: ‘I have learnt how to say my glass is half full even when it’s broken’. This collection as a cohesive entity offers no such pretence or platitude. Beautiful, thought-provoking, and scorching in its honesty, Collective Amnesia is a cathartic pouring-forth of words left unsaid for far too long.
To consider Clive Birnie as a poet or an artist might be unnecessarily limiting. Both his artistic and written talent are on show in Palimpsest, the eighth of an experimental sequence of writing, whose vibrant aesthetics are indicative of his sincere love for visual art forms.
Valzyna Mort’s third collection ‘Music for the Dead and Resurrected’ was published in November 2020 amidst ongoing protests in her native Belarus regarding the fraudulent election of Alexander Lukashenko in August of that year. The majority of these poems take place in and around Minsk, the ‘city of iron and irony’ where Mort was born.
The collection opens with two long poems; ‘Spolia’ and ‘War of the Beasts and the Animals’. Similar in form, they are both chaotic and deeply layered. In both poems, Stepanova sifts through language, culture and identity in an attempt to make sense of them all. She reaches no conclusions, but something fascinating is revealed in the attempt. In her poetry, Russia is a country torn apart and remade line by line, a patchwork of truth, myth and dogma stitched together with shreds of memory.
Jericho Brown’s The Tradition is a sharp shock of a book. Daring and lyrical, this collection examines issues of identity, race and sexuality, all set in the backdrop of modern American society. Brown’s defiant ‘I’ provides an anchor for this collection, grounding it with a deep sense of intimacy.
While A Map Towards Fluency might be Kelly’s first poetry collection, it shows an impressive imagination and originality. The poet is both partly deaf and partly Danish, though entirely unable to understand her mother’s native tongue, and she has incorporated both of these aspects of her life into her poetry, which focuses on the power of words and the idea of fluency.
Lynn Michell (Linen Press, 2020); Pbk £9.99 Writer and publisher, Lynn Michell’s published work spans over 30 years. Michell has produced works of fiction, non-fiction, text books and poetry, much of her work being shortlisted for literary awards. This is her first biography. Its subject, the artist Rosa Branson, was born in 1933 and is Read More