Ishion Hutchinson(Faber and Faber, 2023); pbk, £12.99 In a recent interview, Ishion Hutchinson remarked on the invitation to respond to the Imperial War Museum archive that resulted in the discovery of material relating to Caribbean soldiers who fought in the British Army in the First World War which is all but lost to history. Each Read More
Safiya Kamaria Kinshasa’s debut collection of poetry starts with a quotation from Richard Ligon in 1657, ‘For what can poor people do, that are without Letters and Numbers, which is the soul of all business that is acted by Mortals, upon the Globe of this Word.’ Kinshasa asks, how does one speak outside of what is conventionally recognised as words? Might there be alternative languages? How might one recover from ‘the void of first-hand narratives from enslaved people (particularly women)’ something that will make sense to present lives?
The sonnet is a design classic; it retains its formal appeal, with contemporary giants such as Don Paterson and Imtiaz Dharker regularly inspired by its elegance and infinite variety. Trinidadian poet Anthony Joseph has used the form to explore his relationship with his father and with himself across a sequence of more than 50 poems.
I was firstly struck by the cover of this rich and densely packed collection by Trinidadian writer, Nicholas Laughlin. At first glance, the cover, simple black and white, crammed with text, looks similar to an old topographical map – lines marking out regions and boundaries. A closer look at the text and an explanation at Read More
If Kei Miller hasn’t produced a poetry collection since 2010, the intervening years have been anything but unproductive: two marvellous novels, a blog, a doctorate, editing work and a wonderful collection of essays. Yet Miller’s poetic sensibility is special; his ability to suggest a transcendent luminosity in the single line or a small commonplace detail, Read More
