There are poems in this collection that knocked me clean to the ground… The subject is crucial, but it’s the beauty of the poems which hold it all together….so what makes Lyall’s title special? There is her ability to bring such a dazzling array of raw emotion to the page without a hint of over-sentimentality. But there is also her profound ear for lyric and language.
… single everyday moments are the focal point in Gen, and it can be argued that they are also the focal point of life. Life is, after all, nothing but a series of moments – a kiss, a bike ride, a proposal, and Gen is, at its core, a heart-warming and tongue-twisting attempt to capture these moments.
Hugh McMillan(Luath Press, 2018); pbk £8.99 I’ve never read a poetry book that has made me laugh out loud the way Hugh McMillan’s 2018 collection did (it is possible I’m reading the wrong poetry). But The Conversation of Sheep is more than just sheep jokes, and therein lies its brilliance. The artistry and rhythm of Read More
As a much admired poet, writer and dancer, Tishani Doshi leaves little of the arts world untouched. Countries of the Body was awarded the Forward Prize for Best First Collection while Girls Are Coming Out of the Woods was shortlisted for the Ted Hughes Award. From politics, womanhood to the roots that ground us, this is a journey that the reader is rewarded with…
If there could ever be the right – the only – title for this poetry collection, then Lamping for Pickled Fish might be it, setting the reader up as it so neatly does for the illicit, for the hidden and obscure and for journeys into unexpected spaces. … McDonough is a forager, avid in pursuit of the wild jewels of shoreline and hedgerow in her native north-east Scotland and a maker. A maker of jam, from Ronnie’s stolen rhubarb; of soused herring in the title poem; of a young adult from a toddler; and, effortlessly, of words from other words.
Ruth Aylett’s first solo pamphlet exemplifies just what thematic poetry collections make possible. Pretty in Pink examines facets of girl and womanhood, and the pressures to conform to, internalise and perform ideals of femininity, through different lenses of time, geography, class and culture.
The M Pages opens with ‘Death of an Actress’, a poem layered with literary references, and heavy with a clever litany of clichés, both witty and poignant. That wit is intrinsic to these poems. Throughout tragic, shocking and sombre passages, Bryce’s fun with wordplay, and her tumbling rhyme never diminish, akin to the irreverent gallows humour which needfully so often accompanies mourning.
It is not hard to spot Joelle Taylor across a busy theatre foyer. The tall blonde quiff gives her away, but as I approach, I notice an open confidence that suggests performance poet too. I meet her on the penultimate day of the StAnza poetry festival, less than a fortnight before such gatherings become a Read More
Sigmund Freud coined the phrase ‘afterwardness’ to describe the belated understanding that occurs with the passage of time. It is the ripening of past events by age and experience – a form of alchemy. The concept has inspired the title of a new book of poetry by Iranian born, British poet Mimi Khalvati. Her collection Read More
In The Lateness of the World is the fourth collection from Carolyn Forché, coiner of the phrase ‘poetry of witness’. Seventeen years on from her last collection, Blue Hour, Forché continues to bear witness with her poems, which here serve as war correspondence, warnings and eulogies, to both individuals and the world around us. Intertextuality Read More