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Featured image of Wain

Wain

Scotland is known for ancient icons such as the Loch Ness Monster, its national animal being mythical in itself (the unicorn), and its seemingly endless array of folk tales, passed down through generations. What Rachel Plummer captures in their collection Wain is a reimagining of Scottish folklore through an LGBTQ lens. This book greets you with a watercolour explosion of a cover in which a faerie creature beckons you to turn the page and enter this enchanting collection.

Featured image of Forty Names

Forty Names

In her first collection, Forty Names, Fayyaz names these women over and over again and often women from her family, whose stories she grew up being told even if, at the time, she didn’t fully understand them. Names are echoed, written first in Persian and then translated into English – an act which revels in the ‘emotional and imaginative’ aspects of translation, as Fayyaz discusses in a Youtube video for Carcanet. The effect is such that the names become almost internalised mini-poems in and of themselves…

Featured image of Solar Cruise

Solar Cruise

Claire Crowther’s fourth collection Solar Cruise, a Poetry Book Society Recommendation for Spring 2020, is a deeply moving and introspective memoir, which documents the relationship between herself, a poet, and her husband physicist. Her linguistic choices––pneumonic rhetoric, metaphors and similes––demonstrate the value of researching and making strides to combat the adverse effects of climate change. In Solar Cruise, Crowther examines the language of science closely and discovers the poetry hidden underneath.

Featured image of The Sorry Tale of the Mignonette

The Sorry Tale of the Mignonette

Angela Gardner delivers a theatrical experience with this remarkable verse novel. This powerful true story lays bare one of the most important trials in Seafaring history. Told in five parts, Gardner takes us on an emotional voyage from elation to fear, horror to sorrow, injustice to fate.

Featured image of Second Memory

Second Memory

Second Memory, a collaborative creative non-fiction pamphlet written by Pratyusha and Alycia Pirmohamed, guides you through this luminous corridor on a journey that not only traces their ancestral histories but also invites you to peer into their stories, and see yourself in them….

Featured image of Epic Series

Epic Series

Eléna Rivera’s riveting collection of long poems, Epic Series, swims out into the complexities of identity, questioning what it means to be and become, to belong simultaneously to oneself and to one’s generational tree….

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Origin

Motherhood, birth, and parental relationships are the three key components that make up JL Williams’ collection Origin. She explores all sides of what it means to be a mother: the pain of birth, raising a child when your own parents are absent, the fear of being in charge of another person’s life and their survival. Williams takes us into the depths of her psyche in all the stages of her pregnancy. We not only see her own fears of motherhood but our shared fears over bringing up a child in today’s society.

Featured image of Beth McDonough in conversation with Hannah Lowe

Beth McDonough in conversation with Hannah Lowe

In a wide-ranging conversation, poet and reviewer, Beth McDonough, interviews Costa Book of the Year poet, Hannah Lowe for DURA and Imagined Spaces (www.imaginedspaces.uk) about her writing practices, about using the sonnet form, the American poets that she loves, the tension between the autobiographical and poetic form and language, and colonial history.

Featured image of The Sun is Open

The Sun is Open

The Sun is Open is a poetry collection from Northern Irish poet and academic Gail McConnell. McConnell had previously published two poetry pamphlets, Fourteen (2018) and Fothermather (2019).
From the very first page which details the tragic death of McConnell’s father by a bullet in front of her three-year-old self, it is made immediately clear to the reader that this will be a difficult and confrontational read.

Featured image of The Last Days of Petrol

The Last Days of Petrol

When a collection’s first line is ‘How did we get here?’, and that poem is called ‘When everything is water’, it’s perhaps hard for readers of a certain age not to hear an echo of Talking Heads and wonder at what is going wrong. In this time of accelerated ecological crisis the collection’s ominous title points that way too. The cover (with the poet’s beautiful photograph ‘Selkirk swimming pool in the rain’) describes how ‘we cannot imagine that the life we know is about to change in personal, political or global terms.’ …

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