Yorgos Lanthimos (dir)USA / UK / Ireland, 2023 Poor Things, a continuation of Yorgos Lanthimos and Emma Stone’s creative collaboration (The Favourite (2018) and Bleat (2022)), is a strange yet intoxicating wonderland, full of soul, humour and sex. An adaptation of Alasdair Gray’s novel of the same name, the film is set in a 19th Read More
Darren Aronofsky’s The Whale is an intriguing encounter of the final moments one desolate soul, Charlie, makes on a path riddled with mistakes, a journey all of us know. Having abandoned his now 17-year-old daughter ten years ago, he is in search for redemption as a parent whilst battling with two major struggles—his declining health, as well as the guilt which lingers as a result of abandoning his family.
The latest exhibition at Dundee Contemporary Arts combines striking photography, film, and sound to form a reflection on how landscapes and bodies act as conduits for memory. As Williams explores the physicality of record-keeping and the act of self-portraiture, we see the tenuous strings that bind us to physical spaces and moments in time. Every act of recollection is in itself the creation of a memory, a new connection that has ties to both the past and the present….
In 1917 Sam Mendes has created an astonishing work of cinematic art through the masterful combination of continuous, single-shot cinematography by Roger Deakins; concise, effective screenplay co-written with Krysty Wilson-Cairns; and haunting, dramatic score by Thomas Newman. Mendes’ direction in this film is intense. His use of long takes and clever editing bring the viewer Read More
“You’re spot on time. Isn’t that good?” Fiona Kidman is warm and merry, bright as a button. She takes me through her kitchen and into the dining room, stopping to point out the view from her window. “Can you see the lights? That’s the airport above the sea, Wellington.” In Wellington, New Zealand, it’s 9.00 Read More
For Stephen Spielberg, the story of a rampant Republican government wielding its power to silence the free press was simply too prescient to reject; the urgency apparent even during Trump's notorious campaign and before his employment of "alternative facts". A believer in objective truth, Spielberg set to work assembling a cast and crew, creating the film Read More
This was another great chance to see the work of some of the artists involved in the Oscillations project earlier in the year. On Floor 6 of the Crawford Building were Chris Gerrard, Sumit Mondal, Ginny Elston, Amanda Adam, Sharon Mottram and Patricia Ramaer, along with visiting artist Alex Peterson from the University of Minnesota. Read More
Duncan of Jordanstone’s MSc Animation & VFX course has a reputation for producing artists of exceptional skill and talent, and, after a team of graduates scored themselves a BAFTA last year, expectations for the course’s output are high. Occupying the Animation corridor in the art college’s Crawford Building, the MSc Animation and VFX display is Read More
In-between spaces, contemplative reflection and stillness. Surrealist fantasies saturated with disorder and unreality. Tomorrow Was a Montage is a curation of works by Polish and Hungarian artists spanning across multiple generations – the result feels like a flashback from a half-remembered, vaguely unsettling dream. Timelessness implicit in the title, the worlds of animation, film posters Read More
At 148 minutes Spectre is the longest running Bond film to date. In a franchise with over fifty years of car chases, bikini clad Bond girls, chauvinistic spies and vodka martinis our expectations are high. With this in mind, director Sam Mendes also has the arduous task of positioning Spectre as a sequel to the Read More