A General Practice

“Mr Bennett and Mrs Brown”, Virgina Woolf’s manifesto for a new kind of fiction, starts with a small, seemingly innocuous figure who teases her, “Come and catch me if you can”. A General Practice presents a tableau vivant of brief encounters between doctor and patient in a clinic in the forgotten back streets of an unnamed French city, “tucked away behind a row of bargain shops and fast food outfits”. In its imaginative attentiveness to place, suggestion of character, and its sensitivity to the passing of time, the world that we enter in these pages is luminous with the lives of those forgotten, ignored or made invisible.

All the Names Given (Shortlisted, TS Eliot Prize, 2021)

Writing that is enquiring, taking very little for granted, and making space for readers is always a joy to behold.  All the Names Given has these virtues in spades, posing some searing questions not only about the nature of ancestry, family, identity, colonial legacies, racism, how and where we fit within a larger social world, but what these mean for the living?

Honorifics (Shortlisted, Forward Prize for Best First Collection)

We have been reading Roland Barthes’ explorations of image and memory in our writing classes. Photographs record the presence of someone “that has been”, but they also express a “temporal hallucination”, like a severed limb whose presence is felt viscerally, an after effect of amputation. This return to a time past in the present moment is beautifully imagined in Honorifics. Miller is Malaysian-American now resident in Scotland, and her debut collection renders loss and separation as memorable, lingering encounters, almost hallucinatory yearnings of leaving and homecoming.

Tomorrow Sex will be Good Again

Katherine Angel (Verso Press, 2021; hbk, £10.99) ‘What does a woman want?’, Freud’s now infamous lines, could be uttered as a genuine question ― or as an exasperated retort, replete with exclamation. Between these two poles lie a multitude of complex positions that mark (or give lie) to our cultural assumptions about sexual relations. Katherine Read More

Imagined Spaces

How do you cut into what Elizabeth Chakrabarty terms ‘the Trojan horse’ of the essay? Whether it’s lyrical, discursive, inter-medial, associative, reflective, self-reflexive, or something yet undefined, from the outset of Imagined Spaces, the form is as far from the familiar academic expectation as may be dreamt. What then is this literal try, this attempt, Read More

MIDWINTER (LONGLISTED, 2017 BAILEYS WOMEN’S PRIZE)

I might not have read this novel were it not longlisted for the 2017 Baileys Women’s Prize. The hardcover with its stylised Edward Bawden-like black and red linocut of a rural scene – red sun, red fox, and red blurb byline counterbalanced by the bold black lines of plant life – seemed, well, just a Read More

The Remedies (Shortlisted, 2016 T S Eliot Poetry Prize)

The American transcendentalist Henry David Thoreau wrote, “Nature will bear the closest inspection. She invites us to lay our eye level with her smallest leaf, and take an insect view of its plain”. Katharine Towers’ second poetry collection, The Remedies, is a clarion call to a kind of modern day  transcendentalism. She might not wear Read More

Hot Milk (Shortlisted for the 2016 Man Booker Prize)

Deborah Levy (Hamish Hamilton, 2016); pbk, £12.99 In an interview given at the time of her previous Man Booker nomination in 2012, Deborah Levy is recorded as saying, “I want to walk my female characters into the centre of my work. They don’t have to be likable but they have to be compelling and complicated.” Well, Read More