DURA – Page 31 – Dundee Review of the Arts (DURA)

A Streetcar Named Desire

[iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/BJEpYaD3yTw” frameborder=”0″ allow=”accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture” allowfullscreen></iframe] ‘I have always depended on the kindness of strangers.’ Blanche Dubois If you’re looking for a literary treat before lockdown’s slight easing, you could do worse than immerse yourself in the National Theatre’s compelling interpretation of the classic Tennessee Williams’ play, A Streetcar Named Desire. Read More

Secrets found in the deep by Thomasin Collins (Winner of the 2020 PNR prize for Creative Essaying at the University of Dundee)

‘The story opens when I go to the gallery with you.’ I walked in with you. We were chatting, but I was only half-listening. I was distracted by the sculptures in the cabinets and the brightly painted mural on the wall. They faded behind me as we continued to walk and as I stepped up Read More

Unpacking by Jamie Cameron

I have a box of memories. It’s a square brown box – one of those used for moving to a new house, ‘memories’ scrawled on one side in black ink. For years it moved with me and my partner from flat to flat, accumulating a little more in weight each year as we collected little Read More

‘Poetry is only good at the big picture if it’s talking about the small detail’: An interview with John Glenday

I am ravaged by a fever that incapacitates me for days. Every part of my body aches and my mind is occupied only with the sensation of intense discomfort and the wish for relief. I feel as though broken glass has settled inside my chest. Every inhalation agitates it into a cloud that stabs my Read More

Open Windows

Songs drift from open windows: the radio, someone washing dishes, a tv, voices—more of an insight into people’s lives than the silent aquarium of closed glass. In Merrie Joy William’s collection, these open windows lead to childhood memories, romantic discovery, loss, life, faith and more. Her view into the past is never overly sentimental, but full Read More

Gutter No.21

The sober aubergine cover of the latest issue of Gutter is distinct from the magazine’s customary vibrant jackets. In collaboration with guest editors Alycia Pirmohamed and Jay G Ying, Gutter makes a stand against tokenisation in this celebration of Black Asian and Minority Ethnic writers from Scotland and across the world. Exploring the multi-faceted aspects Read More

‘The Audience is Half the Poem’: An interview with Joelle Taylor

It is not hard to spot Joelle Taylor across a busy theatre foyer. The tall blonde quiff gives her away, but as I approach, I notice an open confidence that suggests performance poet too. I meet her on the penultimate day of the StAnza poetry festival, less than a fortnight before such gatherings become a Read More

Zoospeak

Scottish poet Gordon Meade releases his tenth collection of poetry with an approach towards awareness. He forms lines to accompany the stills taken by Canadian photographer Jo-Anne McArthur. The photos are a peek into another point of view, and Meade puts a face—and a name—to the images, breathing life into a moment captured in time. Read More

Antony and Cleopatra

https://youtu.be/lWc6_aCTqI0 As the lockdown continues, the National Theatre is screening another gem from its history, as part of its National Theatre at Home fundraising campaign. This time, the play being shown is Shakespeare’s Antony and Cleopatra, directed by Simon Godwin. With Ralph Fiennes and Sophie Okonedo in the titular roles and in a modernised setting, Read More

Frankenstein

https://youtu.be/dI88grIRAnY February 2011 saw the premiere at The Royal National Theatre in London of Frankenstein, written by Nick Dear and directed by Danny Boyle. The play proved a masterful adaptation of Mary Shelley’s novel, capturing both the horror and above all the tragedy at the heart of the story. Since then, recordings of this Read More