From These Windows: Online Collection – a selection of writing and art inspired by the collections of the V&A Museums. Once, he broke into a thousand pieces, and his colours faded. Shattered into tiny fragments of himself, scattered across the room, every bit of him strewn, dispersed and disparate. Each dejected section of him uneven, Read More
From These Windows: Online Collection – a selection of writing and art inspired by the collections of the V&A Museums. It’s unsettling―Emmanuel Frémiet’s Gorilla Defeating a Gladiator. That’s what the card on the wall will tell you, but you don’t need to be told. In this gloomy corner you’re face-to-face with a fiend — his Read More
Every year this student-led publishing project starts with a sense of anxiety and excitement. Because we don’t always know where the project will take us, we are understandably nervous about its outcome. In different ways, everyone feels their way along the path―sometimes hesitantly, sometimes boldly―but always attentive to how and where the lines on the Read More
I am thrilled to present an online collection of writing and art as the first instalment of These Windows, a collaborative publishing project between the University of Dundee and the V&A Dundee. The online gallery, gathered here on DURA, pairs with a forthcoming printed publication to showcase the creative dexterity of DJCAD Illustration BDes Read More
Guide the small boat of my body back to my self. Tell me which path brings me home. (‘Mercy’) Róisín Kelly’s first full collection (her chapbook, Rapture, was published in 2016, by Southword Editions) explores that very potent Irish Roman Catholicism with its personal and political resonances, and weighs it up against the island’s older, Read More
Mirror Love I stare at the stolid girl in the mirror. Her long, dark, hair hangs awkwardly over a warm face with blue eyes. Exactly like her mother’s. As the years go by, she looks more like her mother and less like the little girl who walked around hand-in-hand with her daddy, dancing with her Read More
Nineveh is an astounding debut collection full of originality and adding to the vast and rich culture of Jewish poetry. It uses the stylistic device of hyperbole to disclose some of our self-destructive habits in the age of media. The author borrows, rethinks and comments on many of the literary greats before; Yehuda Halevi, Paul Read More
Corn Feverfew III, 1960 You have to search to find this painting. In a gallery full of large pieces and overbearing color, it takes a backseat. Its message is dulled, pushed down, overpowered by others. The greens are smeared with brown and gray, highlights few and far between, yet the more you look, the deeper Read More
The grand spectacle of a sweeping external stone stair adorns the outside of the McManus galleries. Its aging sandstone watches over me as I move towards it, only to be guided to the side entrance. At first, the McManus appears as another conventional art gallery, but now something more seems to be lurking inside. Modern Read More
Displaced Drifting through a little hall of renaissance pieces, the frames of gold, green and grey only hold me briefly. There, on the left-hand side of the gallery from the entrance. Untitled, 1975. Four or five brush strokes create a curtain-thick concrete wall of translucent paint. Over it, a spill. Deeper black, latching on with Read More