“I’m probably at my happiest when I’m writing a poem.”

For me, writing poetry demands different parts of my resources, whether it is my feelings, my energy, my brain, my ego, my sense of self, or my sense of audience. But I’m probably at my happiest when I’m writing a poem. The process is what excites me the most, and when I’m done, it feels quite removed from me. I’m not reluctant to send it out, which I think some poets are – they fear rejection. I think having been an actress helps. Nobody likes rejection, but it’s not going to kill me. I’m quite pragmatic; I see it as just another part of the process.

A Map Towards Fluency

While A Map Towards Fluency might be Kelly’s first poetry collection, it shows an impressive imagination and originality. The poet is both partly deaf and partly Danish, though entirely unable to understand her mother’s native tongue, and she has incorporated both of these aspects of her life into her poetry, which focuses on the power of words and the idea of fluency.

Deformations (Shortlisted, 2020 T S Eliot Prize)

Did I say I was never a victim? […] I helped him with good grace and inside I knew every complication I learned to lie and it was barefaced on my lies they built a civilisation (‘Odysseus welcomed from the sea by Nausicaa’) Poet, and significantly translator, Sasha Dugdale’s fourth collection, Deformations, takes two important, Read More

The Air Year (WINNER, 2020 FORWARD PRIZE FOR BEST COLLECTION)

The Air Year is Caroline Bird’s sixth collection with Carcanet. Her most recent and highly successful, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award. Bird, who published her first collection at the age of 15, displays an astonishing talent and a unique ‘voice’, and is Read More

Red Gloves

Rebecca Watts’ second poetry collection Red Gloves is a gathering of objects and their willingness to remain or disappear, along with our willingness, as humans, to stay or to leave; it is an embodiment of a decline transpiring right under our noses. The author uses a hobnob of narrative and lyrical techniques, creating arcane, uninterrupted Read More

Nineveh

Nineveh is an astounding debut collection full of originality and adding to the vast and rich culture of Jewish poetry. It uses the stylistic device of hyperbole to disclose some of our self-destructive habits in the age of media.  The author borrows, rethinks and comments on many of the literary greats before; Yehuda Halevi, Paul Read More

Donegal Tarantella

Donegal Tarantella is Irish poet Moya Cannon’s sixth collection of poetry. In proper Cannon style, this assemblage of poetry incorporates a raw, lyrical cadence in the appreciation of landscape and history to deliver a melody of words finely tuned for the page. Cannon’s poetry is a slow burn of rich imagery and poetic diction, creating Read More

Afterwardness

Sigmund Freud coined the phrase ‘afterwardness’ to describe the belated understanding that occurs with the passage of time. It is the ripening of past events by age and experience – a form of alchemy. The concept has inspired the title of a new book of poetry by Iranian born, British poet Mimi Khalvati.  Her collection Read More

Heroines from Abroad

Christine Marendon’s debut collection Heroines from Abroad are poems written in her native German. She has been published online, in magazines, and anthologies. This bi-lingual collection is about reflecting on life. The poems are not always straightforward and take some time to process. Since they are never longer than a single page, one has time Read More

All Under One Roof

Evelyn Schlag’s All Under One Roof captivates the reader using conversational prose, and a pattern of discovery in the innocent encounter of the places and the experiences that the speaker of the poem grows through. Translated by Kareen Leeder with a fine touch, the collection draws from her two German-language collections – Language of a Read More