Carl Phillips(Carcanet Press, 2024); pbk, £11.99 Carl Phillips asks in ‘Foliage’, ‘When did syntax and life become indistinguishable from one another?’ Art and Life: poetry as the transformation (not transcription) of experience in words. In reading Scattered Snows, to the North, I shall take my cue from Phillips’ essay. For these are thoughtful, expansive, if sometimes Read More
In the poem prefacing Some Integrity, Padraig Regan’s first full collection, ’50 ml of India Ink’, commissioned by Belfast School of Art, shows how integral art is to nature and to language. The collection addresses how forms change, and how lived experiences are transmuted revealing their true value and essence:
Opaque, & black as gravity,
the ink […]
[…] performs its tiny fractal
creep through the paper’s
knitted capillaries[.]
For me, writing poetry demands different parts of my resources, whether it is my feelings, my energy, my brain, my ego, my sense of self, or my sense of audience. But I’m probably at my happiest when I’m writing a poem. The process is what excites me the most, and when I’m done, it feels quite removed from me. I’m not reluctant to send it out, which I think some poets are – they fear rejection. I think having been an actress helps. Nobody likes rejection, but it’s not going to kill me. I’m quite pragmatic; I see it as just another part of the process.
While A Map Towards Fluency might be Kelly’s first poetry collection, it shows an impressive imagination and originality. The poet is both partly deaf and partly Danish, though entirely unable to understand her mother’s native tongue, and she has incorporated both of these aspects of her life into her poetry, which focuses on the power of words and the idea of fluency.
Did I say I was never a victim? […] I helped him with good grace and inside I knew every complication I learned to lie and it was barefaced on my lies they built a civilisation (‘Odysseus welcomed from the sea by Nausicaa’) Poet, and significantly translator, Sasha Dugdale’s fourth collection, Deformations, takes two important, Read More
The Air Year is Caroline Bird’s sixth collection with Carcanet. Her most recent and highly successful, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award. Bird, who published her first collection at the age of 15, displays an astonishing talent and a unique ‘voice’, and is Read More
Rebecca Watts’ second poetry collection Red Gloves is a gathering of objects and their willingness to remain or disappear, along with our willingness, as humans, to stay or to leave; it is an embodiment of a decline transpiring right under our noses. The author uses a hobnob of narrative and lyrical techniques, creating arcane, uninterrupted Read More
Nineveh is an astounding debut collection full of originality and adding to the vast and rich culture of Jewish poetry. It uses the stylistic device of hyperbole to disclose some of our self-destructive habits in the age of media. The author borrows, rethinks and comments on many of the literary greats before; Yehuda Halevi, Paul Read More
Donegal Tarantella is Irish poet Moya Cannon’s sixth collection of poetry. In proper Cannon style, this assemblage of poetry incorporates a raw, lyrical cadence in the appreciation of landscape and history to deliver a melody of words finely tuned for the page. Cannon’s poetry is a slow burn of rich imagery and poetic diction, creating Read More
Sigmund Freud coined the phrase ‘afterwardness’ to describe the belated understanding that occurs with the passage of time. It is the ripening of past events by age and experience – a form of alchemy. The concept has inspired the title of a new book of poetry by Iranian born, British poet Mimi Khalvati. Her collection Read More