The unexpected element of Gillian Duffy’s The Ghosting of Rabbie Burns isn’t that the two-person play successfully delivers a complete and compelling dialogue. Nor is it the fact that the jovial tone detracts not from the deeper issues of love and commitment. Rather, what surprises most is that Duffy manages to create a fully engaging Read More
Shrouded in darkness, the rear of the stage contains a square rug, a chest of drawers, a TV and an armchair. A spotlight picks out a small red plastic stacking chair near the stage front. A lone man in drab, loose clothes falls onto stage and throws his body around. He dances by and around Read More
Dundee Rep Ensemble’s latest Christmas offering, in association with Noisemaker and Selladoor Worldwide, is Oor Wullie. A new musical directed by Andrew Panton, the production is an adventure filled with charm and laughter – all delivered in guid Scots, of course. Whether audience members have been reading about Wullie for eighty years, or are new Read More
Have you noticed Dundee audiences love to laugh? The Rep Ensemble’s second offering in their twentieth anniversary production line-up caters perfectly to this characteristic. A-Z of Dundee is a brilliant evening of tales, jests, history, and even a quiz, during which there are plenty of opportunities to giggle, chortle, chuckle, and guffaw. Opening with an Read More
Can a play about an historic tragedy entertain? Hearing great praise for Tay Bridge, I was intrigued to find out, and take pleasure in reporting that Dundee Repertory Theatre has managed to deliver. Despite being the first ‘in-house’ production I’ve seen at the Rep, previous shows had already set a high bar– and this play Read More
Arthur Miller’s post-war family drama, All My Sons is not the first time the Dundee Rep Ensemble has taken on work by the American playwright. Their 2017 production of Death of a Salesman was widely praised and this their second stab at a Miller play is another success. However, Miller’s play is a first for Read More
Imagine the socio-political-economic texture of Scotland as an enormous loch. Writer, songwriter, and actor Gary Robertson has placed stepping stones on its sometimes placid, often roiling surface for his audience to skip across in his latest production. The play, raucous and gentle, threatening and comfortable, has the feel of an adult pantomime. Although Robertson touches Read More
What drew you to Gagarin Way? Well, Andrew [Andrew Panton, the artistic director at the Rep] approached me with the play and asked if I wanted to direct, which is unusual for me – I usually come up with and direct my own ideas for plays. But I was drawn to Gagarin Way in part because Read More
The director of The Macbeths, Dominic Hill, is not new to adapting the famous play. Having directed the play in the past, including an operatic version, Hill now turns his attention to one of its central themes, focusing on its most compelling relationship, that between Macbeth and Lady Macbeth. The Macbeths is a concentrated dose Read More
Dundee’s Rep brings Levin’s gripping thriller to life with well-executed drama and suspense leaving you wishing that it was more than just two acts. Deathtrap holds the record for the longest-running comedy thriller on Broadway; Ira Levin’s play uses simplicity of character and setting to create a compelling and unexpected piece of work. Described as Read More
