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Featured image of Deathtrap

Deathtrap

Dundee’s Rep brings Levin’s gripping thriller to life with well-executed drama and suspense leaving you wishing that it was more than just two acts. Deathtrap holds the record for the longest-running comedy thriller on Broadway; Ira Levin’s  play uses simplicity of character and setting to create a compelling and unexpected piece of work. Described as Read More

Featured image of Monstrous Bodies (Chasing Mary Shelley down Peep O’Day Lane)

Monstrous Bodies (Chasing Mary Shelley down Peep O’Day Lane)

This Dundee Rep and Poorboy co-production has genuine ambition that is apparent from the moment you first read the advertising for the play to the final bow of the necessarily extensive cast. That is not stated in a way that is intended to condescend. It is meant as a compliment in that they are trying Read More

Featured image of Stephen Carruthers interviews Joe Douglas (Associate Artistic Director, Dundee Rep)

Stephen Carruthers interviews Joe Douglas (Associate Artistic Director, Dundee Rep)

(This is a lightly edited transcript of the interview; to view the whole interview, please click image above) Stephen Carruthers: Good Afternoon. I’m Stephen Carruthers from the Dundee University Review of the Arts and I’m here with Joe Douglas, the Associate Artistic Director of Dundee Rep Theatre. Joe Douglas: Hello. SC: Joe, you joined the Read More

Featured image of Death Of A Salesman

Death Of A Salesman

Death of a Salesman by Arthur Miller is widely considered one of the greatest plays to come out of the 20th century. Premiered in 1949, it is a tragedy that examines the demise of a working man and how society, along with the character’s own delusions, can torture a weakened soul. When my MLitt class Read More

Featured image of George’s Marvelous Medicine

George’s Marvelous Medicine

The audience at The Rep looked to be squirming as tens of children jumped, wiggled and waved, and agitated in their seats. Each one of them sits by a parent in a Santa hat, a caregiver with a  face painted to look like an elf, or a grandparent with tinsel around their necks that leave Read More

Featured image of Much Ado About Nothing

Much Ado About Nothing

The performance of Much Ado Abut Nothing by the Dundee Rep Ensemble, directed by Irene Macdougall, was fantastic, entertaining and frequently hilarious.  Ken Harrison’s set was a simple yet impressive affair of Mediterranean tiles, ornate lights and transparent walls; the grand, uncluttered setting allowed the performers room to bring this Shakespeare comedy of love, Sicilian Read More

Featured image of Love Song

Love Song

“Sit anywhere you want, but try stick to the front to keep the intimate feel,” were the words said to me as I collected my tickets. I thought nothing too much of it – not expecting anything out of the ordinary. Instead, in true Rep fashion, I was greeted by an absolutely beautiful stage. A Read More

Featured image of The Great Gatsby

The Great Gatsby

Pulling off The Great Gatsby on stage while Baz Luhrmann’s dazzling adaptation is still in memory is a sizable task. Based on F. Scott Fitzgerald’s classic novella, this is a story of a young man who finds himself dropped in an idyllic corner of Long Island where wealthy socialites and movie stars come to frolic Read More

Featured image of Absent Friends

Absent Friends

The London Classic Theatre is currently celebrating its 15th anniversary as a touring company with the production of Alan Ayckbourn’s 1974 play Absent Friends. Contrary to the zeitgeist of presenting period plays in contemporary settings, director Michael Cabot has stuck assiduously to the play’s original Seventies setting. This diligence has been rewarded with some fantastic Read More

Featured image of The Land Beneath Our Feet

The Land Beneath Our Feet

Devised and performed by Dundee Rep’s Community Company, The Land Beneath Our Feet is a dark, thought-provoking tale of community eviction. It invites the audience to make its own judgements about the space we call home, as residents and ruthless developers clash with tragic consequences. Director Catrin Evans began working with the community performers in Read More

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