We Have to Leave the Earth

When a poet opens a collection quoting fellow-poet Ada Limón’s question, ‘Will you tell us the stories that make/ us uncomfortable, but not complicit?’ then already a great deal is being demanded of both the reader and of the writer.

Originally from Belfast, Carolyn Jess-Cooke now is very much part of Glasgow’s vibrant literary scene; she comes to We Have to Leave the Earth with a considerable backdrop of lived, researched and written experience. Pleasingly, her website describes her as being ‘not really bothered about genre’. That’s useful as the evidence of her ability to work beyond boundaries is clear.

Gen

… single everyday moments are the focal point in Gen, and it can be argued that they are also the focal point of life. Life is, after all, nothing but a series of moments – a kiss, a bike ride, a proposal, and Gen is, at its core, a heart-warming and tongue-twisting attempt to capture these moments.

WHAT REMAINS AT THE END?

Alexandra Ford’s debut novel, What Remains at the End? is a fearless attempt to convey the atrocities suffered by Danube Swabians in 1940s Yugoslavia at the hands of Tito’s Partisan regime. Many of this German-speaking ethnic minority fled, seeking refuge as far as America; of those who stayed, tens of thousands died, either perishing in Read More

The Glass Aisle

The Glass Aisle enfolds the reader with intricacies and figures of sound, exploring noise, rhythm and also silence within its pages. Addressing time, loss and childhood memories  ─  told through the stories of ordinary people  ─ the collection’s musicality and its preoccupation with voices make for its signature sonic tapestry. This is the tenth book of poetry from Read More

A SIMPLE SCALE

David Llewellyn’s A Simple Scale sets out to provide the reader with a profoundly humbling experience: the attainment of the understanding that all our lives are ultimately at the mercy of the tides of history and that we and our fellow men are undeniably responsible for how that history plays out. Llewellyn explores this idea Read More

THE CHICKEN SOUP MURDER

“The day before the murder, George Bull tried to poison me with a cheese sandwich.” With this hook, Maria Donovan opens her debut novel, The Chicken Soup Murder. The narrator is eleven-year-old Michael Davies, battling lactose intolerance alongside the perplexities of impending adolescence in a small coastal town in Dorset. Michael lives with his Nan Read More

In Reality: Selected Poems

Seren Book’s In Reality: Selected Poems is the first major glimpse of poetry by award winning Luxembourger Jean Portante, translated for English speaking readers. The book gathers selected poems from his major collections, notably In Reality and What Does and What Doesn’t Come to Pass, and provides the original French in parallel with Zoë Skoulding’s Read More

New Welsh Short Stories

Imagine waking up one morning to find a bask of crocodiles and their very unapologetic owner have moved in next door! Half allegorical, half magical realism, Kate Hamer’s mesmerizing “Crocodile Hearts” will even have you examining your own place within a community. This idea of how an outsider can threaten a quiet suburban existence is Read More

A Formula for Night: New and Selected Poems

I wanted people to sit still for one goddam minute but they flash through your life –                portraits are for the dead. In these lines, Tamar Yoseloff voices Jackson Pollock as part of a remarkable narrative sequence, but such is her versatility that it may also speak of her own prolific, multi-faceted output. An American, Read More

The Man at the corner table

When reading poetry I have a habit of dog-earing the most affecting pages. Unfortunately for my edition of Rosie Shepperd’s The Man at the Corner Table, I’ve dog-eared damn near every page. Shepperd trained as an economist and has worked in finance throughout the UK and the US, all the while publishing poems in the Read More