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Featured image of Imagined Spaces

Imagined Spaces

How do you cut into what Elizabeth Chakrabarty terms ‘the Trojan horse’ of the essay? Whether it’s lyrical, discursive, inter-medial, associative, reflective, self-reflexive, or something yet undefined, from the outset of Imagined Spaces, the form is as far from the familiar academic expectation as may be dreamt. What then is this literal try, this attempt, Read More

Featured image of How the Hell are You

How the Hell are You

It is not the question of How the Hell are You, but rather the question of who the hell were we (‘How The Hell Are You.’) that encapsulates Glyn Maxwell’s most recent poetry collection of the same title. Maxwell has won many awards for his poetry and has been previously shortlisted twice for the TS Read More

Featured image of Three pamphlets: Casket (Andy Brown), Below this Level (Kevin Corcoran) and Lake Effect (Tim Craven)

Three pamphlets: Casket (Andy Brown), Below this Level (Kevin Corcoran) and Lake Effect (Tim Craven)

Casket Andy Brown Shearsman (2019); pbk: £6.50 Below This Level Kevin Corcoran Shearsman (2019); pbk: £6.50 Lake Effect Tim Craven Tapsalteerie (2019); pbk: £5 Three excellent pamphlets, produced by courageous independent publishers, and it’s fair to say there are crossing references, though I will treat them alphabetically. Nonetheless, the booklets are very different creatures. However, Read More

Featured image of The Saints Are Coming

The Saints Are Coming

‘The words […] a line of curses, promises, demands, wishes, intoxicants and offerings […] sets all the prayers in the house to glint.’ (From ‘Vespers’, All The Prayers In The House, Miriam Nash). Having grown up in the Catholic faith, courted by pictures and other icons of the tradition (usually from a shrine shop in Read More

Featured image of A Love Letter to Dundee:  Joseph McKenzie Photographs 1964-1987

A Love Letter to Dundee:  Joseph McKenzie Photographs 1964-1987

To shout ‘I love you’ from the rooftops seems such a 70’s thing to do but that’s exactly what one student living in Dundee’s Hawkhill did for his girlfriend around 1970.  Joseph McKenzie (1929-2015) immortalised the romantic gesture in a black and white still that inspired the title for this exhibition. The student painted his Read More

Featured image of Tiger Girl

Tiger Girl

Tiger Girl is Pascale Petit’s eighth collection. Her previous works include Mama Amazonica which has won, among others, the Ondaatje Prize. This is a rare win for a woman, and for a poet too since the prize is usually awarded to travel writers. But when it comes to Petit’s work, this honour makes sense. Reading Read More

Featured image of Magnolia, 木蘭

Magnolia, 木蘭

Nina Mingya Powles’ invigorating first full poetry collection is not called just Magnolia. The Chinese characters 木蘭 that complete the title – transliterated as ‘mulan’ – are an important clue as to the nature of her work, suffused as it is with layers of meaning across different languages. Born in 1993, in New Zealand, of Read More

Featured image of Stories We Tell Ourselves

Stories We Tell Ourselves

Former Bishop of Edinburgh, Richard Holloway explores the delicate intersection of faith and reality in his 31st book. Carefully examining the relationship between religion, belief, and perception, Stories We Tell Ourselves is written as much for others as himself. Holloway feels a path forward, navigating the fallout of a millennia of reading our species’ stories Read More

Featured image of Manual for a Decent Life

Manual for a Decent Life

Manual for a Decent Life is Kavita Jindal’s debut novel and winner of the 2018 Brighthorse Prize. Jindal is a founder member of the Asian women’s writing collective, The Full Kahani (in English, The Whole Story), which produced May We Borrow Your Country?, a collection of poetry and short stories, published in 2019 by Linen Read More

Featured image of The Mirror and the Light

The Mirror and the Light

Rarely do works of historical fiction immerse the reader in the protagonist’s thoughts so completely as in this last volume of Hilary Mantel’s Wolf Hall trilogy.  Written in the first person, from Cromwell’s point of view, Mantel’s narrative is so convincing that it is sometimes difficult not to take this for Thomas Cromwell’s actual memoirs. Read More

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