In Staunin Ma Lane, Holton has selected classical Chinese poems from the 11th century BC to the 14th century AD, some of them well-known to generations of Chinese schoolchildren, for improvisation and translation into Scots, with English “glosses”. Holton states in his useful Afterword: “if you expect to find dictionary definitions of Chinese words in Read More
Dizza Castle is a collection of poems by Iraqi poet Salahi Niazi, selected and edited by his friend David Andrew. This collection introduces Niazi’s work, which is originally written in the poet’s native Arabic to an English-speaking audience. Considered to be one of the pioneers of Modern Iraqi Arabic poetry, Niazi is a hugely prominent Read More
In her newest collection, Ghost of the Fisher Cat, Afric McGlinchey has taken poetry to another level. Here, her poems are sequenced into a novella-like arrangement, grouped into sections where she has allowed characters and relationships to develop “[…] across a time-space continuum […]”. The poet fits approximately ten poems of great variety into each Read More
Theresa Muñoz is well-kent on the Scots literary scene, being published in many fine journals; she writes for both the Scottish Review of Books and the Herald, and her publishing credits reflect a continuing presence in Canada. Close (HappenStance, 2012) introduced her work in pamphlet form; Settle is her first full collection. That title Read More
Ben Smith impresses his readership with colourful poems in his newest collection Sky Burials. His academic specialisation in Environmental Poetry is represented – playfully – throughout this entire collection. With this contradictory title, the poet does not only offer an oxymoron by endowing the sky with an earthly attribute, but also introduces a criticism of Read More
Early in the 1980s, I visited an extraordinary installation in the Centre Georges Pompidou. Viewers wore special slippers to enter a room, a carpet to ceiling, wall to wall kinetic/op art environment which seemingly undulated, changing entirely when studied from different positions. The artist’s use of lenticular printing on folded surfaces, in precise mathematical terms, Read More
Nick Laird (Faber & Faber, 2015); pbk £10.99 Laird and I share the hometown of Cookstown, Co. Tyrone, right in the heart of Mid-Ulster. A busy market-town, it was relatively quiet during the Troubles, in comparison at least with the hotspots of Belfast and Derry/Londonderry. But it was not untouched. This common experience of growing Read More
Myra Connell (Nine Arches Press, 2015); pbk, £9.99 Myra Connell has previously released two poetry pamphlets: A Still Dark Kind of Work (2008) and From the Boat (2010). Last year, House, her first full collection emerged. People often view a house as protection from the outside world; its sense of safety may also extend, in Read More
Em Strang (Shearsman Books, 2016); pbk: £8.99 Em Strang distrusts labels. For her “Eco-poetry” carries connotations of Green activism, yet she accepts her work is “ecological”. Undoubtedly a feminist, she won’t have her work so named. Equally, she is certain that she is not a nature poet, and though her work has roots in mythology Read More
Claire McLaughlin (Survivor’s Press, 2014); pbk, £10 In this her first collection, Claire McLaughlin penetrates the “misty blankness” of vision emerging into the vivid, sensory realm of memory. Blinded by a degenerative retina disease, her poems demonstrate the importance of memory when living without vision. McLaughlin’s account is so intense in its imagery, so arousing Read More