It is not the question of How the Hell are You, but rather the question of who the hell were we (‘How The Hell Are You.’) that encapsulates Glyn Maxwell’s most recent poetry collection of the same title. Maxwell has won many awards for his poetry and has been previously shortlisted twice for the TS Read More
In Angie Cruz’s third novel, shortlisted for The Women’s Prize for Fiction, a young country girl is trapped by circumstance in a patriarchal society on the brink of civil war. Forced into marriage with a violent, alcoholic man twice her age, fifteen-year-old protagonist Ana Canción carries the burden of her family’s future on her young Read More
Casket Andy Brown Shearsman (2019); pbk: £6.50 Below This Level Kevin Corcoran Shearsman (2019); pbk: £6.50 Lake Effect Tim Craven Tapsalteerie (2019); pbk: £5 Three excellent pamphlets, produced by courageous independent publishers, and it’s fair to say there are crossing references, though I will treat them alphabetically. Nonetheless, the booklets are very different creatures. However, Read More
‘The words […] a line of curses, promises, demands, wishes, intoxicants and offerings […] sets all the prayers in the house to glint.’ (From ‘Vespers’, All The Prayers In The House, Miriam Nash). Having grown up in the Catholic faith, courted by pictures and other icons of the tradition (usually from a shrine shop in Read More
To shout ‘I love you’ from the rooftops seems such a 70’s thing to do but that’s exactly what one student living in Dundee’s Hawkhill did for his girlfriend around 1970. Joseph McKenzie (1929-2015) immortalised the romantic gesture in a black and white still that inspired the title for this exhibition. The student painted his Read More
Tiger Girl is Pascale Petit’s eighth collection. Her previous works include Mama Amazonica which has won, among others, the Ondaatje Prize. This is a rare win for a woman, and for a poet too since the prize is usually awarded to travel writers. But when it comes to Petit’s work, this honour makes sense. Reading Read More
Nina Mingya Powles’ invigorating first full poetry collection is not called just Magnolia. The Chinese characters 木蘭 that complete the title – transliterated as ‘mulan’ – are an important clue as to the nature of her work, suffused as it is with layers of meaning across different languages. Born in 1993, in New Zealand, of Read More
Citadel is Martha Sprackland’s first full collection, following two previous pamphlets (Glass as Broken Glass in 2017 and Milk Tooth in 2018) and a raft of poetry editing credentials. The slim volume carries fifty poems and has a density to the reading. This stems from the complex premise packed into the work: a historical reimagining Read More
Former Bishop of Edinburgh, Richard Holloway explores the delicate intersection of faith and reality in his 31st book. Carefully examining the relationship between religion, belief, and perception, Stories We Tell Ourselves is written as much for others as himself. Holloway feels a path forward, navigating the fallout of a millennia of reading our species’ stories Read More
Manual for a Decent Life is Kavita Jindal’s debut novel and winner of the 2018 Brighthorse Prize. Jindal is a founder member of the Asian women’s writing collective, The Full Kahani (in English, The Whole Story), which produced May We Borrow Your Country?, a collection of poetry and short stories, published in 2019 by Linen Read More