DURA homepage
Skip main navigation menu
  • Home
  • About
  • Contact Us
  • A-Z
  • Submissions
Skip main content
Featured image of The Air Year

The Air Year

The Air Year is Caroline Bird’s sixth collection with Carcanet. Her most recent and highly successful, In These Days of Prohibition, was shortlisted for the 2017 T.S. Eliot Prize and the Ted Hughes Award. Bird, who published her first collection at the age of 15, displays an astonishing talent and a unique ‘voice’, and is Read More

Featured image of Shine, Darling

Shine, Darling

One may be surprised to discover that Shine, Darling is Ella Frears’ debut poetry collection. Frears presents an unapologetic front through her straightforward style, favouring lyric poetry as her medium. There is a raw intimacy to perform these experiences, whether it be a near-abduction, a suicide when she was in college, or having sex on Read More

Featured image of Rendang

Rendang

Sitting outside in a motorway cafe on a cool August evening after the mizzling rain, Kirsty Gunn and I talked intensely (as we do) about a novel we had difficulties with. Many of our exchanges were underpinned by the question: how does form and genre enable writing to tackle its subject matter successfully? Will Harris’ Read More

Featured image of Postcolonial Love Poem

Postcolonial Love Poem

  Amongst other dedications in Postcolonial Love Poem, Natalie Diaz singles out bodies—’towards our many bodies of flesh, language, land and water.’ Bodies are critical because they are primary symbols of the self and constants in our equations with others; whether it is love or war – these bodies form tribute and legacies, weapons and Read More

Featured image of My Darling from the Lions

My Darling from the Lions

The way we are forced to work around the pandemic unfortunately applies to the launching of poetry publications also; as Rachel Long’s My Darling from the Lions was published at the start of August, chances for public appearances, speaking and promoting her work are all but whipped away. The publication must speak for itself. Long Read More

Featured image of Antlers of Water

Antlers of Water

‘Antlers of Water’—the phrase is MacCaig’s—and for several reasons it’s an apt title for this new anthology of ‘Writing on the Nature and Environment of Scotland’. That craggy map. A land that is as much water, as land. Those antlers, perfectly seen by the poet, delve deeply into what it is to live in Scotland. Read More

Featured image of Moving House

Moving House

Theophilus Kwek is a prolific writer with five collections to his credit. His latest, Moving House, articulates a preoccupation with the themes of migration, belonging, colonial history, and the turbulent politics of the present. Kwek is uniquely qualified to tackle these themes. He grew up in Singapore, graduated with a degree in history and politics, and Read More

Featured image of Make it Scream, Make it Burn: Essays

Make it Scream, Make it Burn: Essays

The essay’s star is in the ascendant. While there has been a long—even noble—tradition of essay writing going all the way back to Montaigne’s Essais, many people associate essays with classroom forms of assessment. Yet, of late, more writers have felt emboldened to call their prose ‘essays’. Make it Scream, Make it Burn is a Read More

Featured image of The Art of Getting Words on a Page: A Conversation with Sandra Ireland

The Art of Getting Words on a Page: A Conversation with Sandra Ireland

A bitter wind howls in from the east blowing the rain horizontal. I could easily be on the Yorkshire moors of Wuthering Heights, and this would be a fitting backdrop for an interview with gothic novelist, Sandra Ireland. We meet in Carnoustie’s Costa Coffee to chat about her most recent novel The Unmaking of Ellie Read More

Featured image of Sight Unseen

Sight Unseen

Critically acclaimed as ‘the queen of Scottish folklore-inspired domestic noir’, Sandra Ireland’s oeuvre boasts three successful thrillers that all open with haunting epitaphs and disturbing prologues. However, Ireland’s new novel, Sight Unseen, is lighter. Narrated in alternating chapters, Sarah Sutherland in first person and her elderly father, John, in third person, we are immersed in Read More

  • « Previous Page
  • 1
  • …
  • 27
  • 28
  • 29
  • 30
  • 31
  • …
  • 224
  • Next Page »
DURA facebook page

Copyright © 2025 DURA :: Dundee Review of the Arts (DURA)