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Featured image of Wanting: Essay Fragments (Winner of the 2022 PNR prize for Creative Essaying at the University of Dundee)

Wanting: Essay Fragments (Winner of the 2022 PNR prize for Creative Essaying at the University of Dundee)

Burden Goldilocks produces prophesied curls, Snow White becomes a pearly corpse, Thumbelina never grows beyond her moniker. “What’s my name?” The Queen speaks the legendary word and Rumpelstiltskin, crooked imp, boils. Hops on stilt-thin legs, hide splitting. Repel-stilt-skin. I gobble fairy-tales like chocolates, plump with self-appointed expertise. Evil girls pretend to be princesses, masquerade as Read More

Featured image of Having and Being Had

Having and Being Had

In 2014, essayist Eula Biss took out a mortgage with her husband on a two-bedroom bungalow in Chicago. The experience made her uneasy. On the first page of Having and Being Had, Biss describes how a Mexican woman accompanied by four children, on seeing the front room of the bungalow was curtainless and empty, enquired if the room was available to rent. A moment of intense discomfort.

Featured image of Imagined Spaces

Imagined Spaces

How do you cut into what Elizabeth Chakrabarty terms ‘the Trojan horse’ of the essay? Whether it’s lyrical, discursive, inter-medial, associative, reflective, self-reflexive, or something yet undefined, from the outset of Imagined Spaces, the form is as far from the familiar academic expectation as may be dreamt. What then is this literal try, this attempt, Read More

Featured image of Secrets found in the deep by Thomasin Collins (Winner of the 2020 PNR prize for Creative Essaying at the University of Dundee)

Secrets found in the deep by Thomasin Collins (Winner of the 2020 PNR prize for Creative Essaying at the University of Dundee)

‘The story opens when I go to the gallery with you.’ I walked in with you. We were chatting, but I was only half-listening. I was distracted by the sculptures in the cabinets and the brightly painted mural on the wall. They faded behind me as we continued to walk and as I stepped up Read More

Featured image of Unpacking by Jamie Cameron

Unpacking by Jamie Cameron

I have a box of memories. It’s a square brown box – one of those used for moving to a new house, ‘memories’ scrawled on one side in black ink. For years it moved with me and my partner from flat to flat, accumulating a little more in weight each year as we collected little Read More

Featured image of Thresholds

Thresholds

From These Windows: Online Collection – a selection of writing and art inspired by the collections of the V&A Museums.  I’m not used to London yet. Back in New York City, I knew where I was at any given moment. on a clearly marked grid. In London, I walk slowly. ‘You’ve changed’, my husband says. Read More

Featured image of Culture Gone Rogue

Culture Gone Rogue

From These Windows: Online Collection – a selection of writing and art inspired by the collections of the V&A Museums.  It’s unsettling―Emmanuel Frémiet’s Gorilla Defeating a Gladiator. That’s what the card on the wall will tell you, but you don’t need to be told. In this gloomy corner you’re face-to-face with a fiend — his Read More

Featured image of Essay Fragments by Elisabeth Husum

Essay Fragments by Elisabeth Husum

Mirror Love I stare at the stolid girl in the mirror. Her long, dark, hair hangs awkwardly over a warm face with blue eyes. Exactly like her mother’s. As the years go by, she looks more like her mother and less like the little girl who walked around hand-in-hand with her daddy, dancing with her Read More

Featured image of Living Between Places by Amy Turnbull

Living Between Places by Amy Turnbull

The grand spectacle of a sweeping external stone stair adorns the outside of the McManus galleries. Its aging sandstone watches over me as I move towards it, only to be guided to the side entrance. At first, the McManus appears as another conventional art gallery, but now something more seems to be lurking inside. Modern Read More

Featured image of Essay fragments by Liam Wright

Essay fragments by Liam Wright

Displaced Drifting through a little hall of renaissance pieces, the frames of gold, green and grey only hold me briefly. There, on the left-hand side of the gallery from the entrance. Untitled, 1975. Four or five brush strokes create a curtain-thick concrete wall of translucent paint. Over it, a spill. Deeper black, latching on with Read More

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