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Featured image of Motherwell: A Girlhood

Motherwell: A Girlhood

Motherwell is a poignant family portrait, articulately painted by the late Deborah Orr of a life with ‘house-proud’ mother Win and ‘factory-worker’ father John. Orr achieved success as a journalist, becoming editor of the Guardian’s Weekend supplement by 31, and writing a weekly column for two decades thereafter. She was also a child of Scottish Read More

Featured image of A Voyage at Anchor: A collage essay by Craig McLean

A Voyage at Anchor: A collage essay by Craig McLean

  Know my name A name is a fickle thing. For me, it’s a way for people to get my attention; for others, it is me. For my part, I don’t think of myself as ‘Craig’. I answer to it, but I don’t like it. I’ve heard it remarked that it is a ‘good Scottish Read More

Featured image of THIS, Tay Poems by Jim Stewart

THIS, Tay Poems by Jim Stewart

The poet Jim Stewart (1952-2016) earned that rarest of writer’s accolades: of being well-loved by those who not only knew his work but knew him. He had a well-deserved reputation as a gifted and inspiring teacher who, in typical Dundonian fashion, seemed to hide his calling under a genuine sense of duty, so that his Read More

Featured image of The Outrun

The Outrun

This debut work of non-fiction has already received widespread critical acclaim – this year, it was shortlisted for the Wellcome Prize, and won the Wainwright Golden Beer Prize.  As The Outrun is a memoir of Liptrot’s slide into alcoholism, and her efforts to remain sober by returning to the place of her birth and raising, Read More

Featured image of Soundproof Future Scotland

Soundproof Future Scotland

The year is 2116, and the place is an Independent Scotland. The Battle of the Sexes in which “men killed women killed men, fathers killed mothers killed fathers, daughters killed sons killed daughters …” (you get the idea) is 20 years in the past, superseded by a period of “kissing-and-making-up-and-fucking”. This results in the massive Read More

Featured image of Gods of The Morning: A Bird’s Eye View of a Highland Year

Gods of The Morning: A Bird’s Eye View of a Highland Year

John Lister-Kaye’s ninth book, Gods of the Morning: A Bird’s Eye View of the Highland Year, reflects on landscape and wildlife, particularly birds – Virgil’s “gods of the morning” – over four seasons at Aigas, the Highland field centre by the Beauly River, which he owns. The book opens with the death of a blackcap Read More

Featured image of Iona

Iona

Scott Graham’s beautifully shot Iona tells the story of the difficulties encountered by Iona (Ruth Negga), a young mother returning to her birthplace, the island with which she shares her name. Fleeing traumatic circumstances, Iona and her son Bull (Ben Gallagher) attempt to integrate themselves with island society, a process complicated by figures from Iona’s Read More

Featured image of Grey Gardens

Grey Gardens

The DCA is a wonderfully apt setting for their latest exhibition, Grey Gardens: one of many celebratory events for the national Festival of Architecture. And it’s no coincidence that the arts centre has itself been recognised as one of the top contemporary Scottish buildings in the last century: it’s light and airy space houses the Read More

Featured image of A Higher World: Scotland 1707-1815

A Higher World: Scotland 1707-1815

It is not easy to reconcile the Scotland that reluctantly became England’s “poor partner” in 1707 with the “Enlightened”, intellectually progressive country of 108 years later. By the close of the first century of parliamentary union, the once “backward” northern state had become renowned for innovations in economics, literature, philosophy, and architecture. In tracing this Read More

Featured image of Landmarks

Landmarks

Robert Macfarlane’s Landmarks is much-coveted; though newly published,  it feels entrenched in the nature-writing canon already. From the exquisite cover and fine end-papers on, it should be owned by all lovers of landscape and language. Perhaps that is as far as Landmarks can, and should, be categorised. Macfarlane’s prose-poetic text calls for “a decentred eye Read More

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