I have one simple expectation of every poetry collection that I’ve ever read or will read: that each poem will connect with others towards a cohesive whole. You can imagine my hesitation when four poems in I realised that Colin Will’s The Night I Danced With Maya failed to meet my criteria. Or did it? Read More
Writer, performer and burlesque artist Vanessa Kisuule is also a winner of over ten slam titles. She has performed at various poetry events and venues and has published two poetry collections – Joyriding the Storm (2014) and A Recipe for a Sorcery (2017). The latter, her most recent collection, uncovers the magical in the ordinary Read More
Rita Ann Higgins’s eleventh poetry collection, Tongulish, pulses with conversation. It is a stroll down the street; the ambience of the spoken word splayed across the page. Conversation is volatile and ever-changing from subject to subject; in much the same way, the poems within the collection cover a plethora of subject matter. It is a Read More
Indisputably, Emily Dickinson’s “Tell it Slant” works, but does her entreatment apply solely to poets? In Rego Retold Owen Lowery has rightly termed his collection “Poems in Response” (my italics). Ekphrastic poetry has many detractors; done badly there is reason for critical disquiet. If we are all in some way telling it slant then any Read More
Do you remember when you were learning to read and it was both difficult and exciting to mouth the next word? Then there’s the thrill of recognition. The simple rhyming title of Vahni Capildeo’s chapbook seas and trees – presented in lowercase sans serif typeface – may take the reader back to those days. One Read More
Sara Hirsch’s debut is a photo album of memories described by a woman not trying to be anyone other than herself. Still Falling is a collection of both rare and everyday encounters which are often shocking, and always personal. The title itself suggests a continuation of mistake making and learning, rather than a Wonder Woman Read More
Imagine the poet as a sandwich-board man, with his daily routine of spreading the word. Dennis O’Driscoll was such a poet – plain-speaking, astute, wary of ornament – his poetry pronounces ‘every day’ on the board at the front, and ‘death’ at the back, as he walks away. Born in Tipperary, on New Year’s Day Read More
The children will play with the Sea they will learn addition from the corpses piled on the sidewalks subtraction from decapitated trees[.] Such wounds, remembered even after the page turns and the book ends up on the shelf, are so common in Khoury-Ghata’s work that they shape their own reality, giving the readers a new Read More
Has David Morley really “cast off the worlds of myth and magical fable” as the back blurb of this collection suggests? His shape-shifting, shift-shaping Romani folk tales are what has made his work so wonderfully distinctive so far. He won the 2015 Ted Hughes Award for The Invisible Gift, his Selected Poems. Is this collection Read More
Good poetry, as Robert Crawford said about John Ashbery’s word craft, “levitates language” from the page. As I read and re-read Miriam Nash’s first book-length collection of poetry, All the Prayers in the House, I am struck with a similar leavening in the composition of the poems as prayers and reading them aloud as “PRAY-ers”. Read More