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Featured image of THE DARK CIRCLE (SHORTLISTED, 2017 BAILEYS WOMEN’S PRIZE)

THE DARK CIRCLE (SHORTLISTED, 2017 BAILEYS WOMEN’S PRIZE)

If one reads Linda Grant’s The Dark Circle, one may be left feeling unfulfilled; being presented with a remote plot about a remote disease that fails to tug on the heart strings or incite anger, as one would probably expect. So, this is the reason that I request you don’t merely read this novel: engage Read More

Featured image of FIRST LOVE (SHORTLISTED, 2017 BAILEYS WOMEN’S PRIZE)

FIRST LOVE (SHORTLISTED, 2017 BAILEYS WOMEN’S PRIZE)

Those familiar with Turgenev’s famous novella First Love may immediately expect a love affair of ill-fated, cataclysmic proportions. For those unfamiliar with the reference, the title of Gwendoline Riley’s First Love is cruelly, cleverly deceiving. A love story? Perhaps. But the bitterness and heart-breaking loneliness that plague the pages of this novel breed an unexpectedly Read More

Featured image of The Power (Winner, 2017 BAILEYS WOMEN’S PRIZE)

The Power (Winner, 2017 BAILEYS WOMEN’S PRIZE)

Naomi Alderman’s fourth novel, and first endeavour into speculative fiction, is based on the simple question: what might happen if women really did run the world? Set mainly in the near future, the novel is told from various points of view as first teenage girls, and then women, suddenly become aware of a whole new Read More

Featured image of Hag-seed (LONGLISTED, 2017 BAILEYS WOMEN’S PRIZE)

Hag-seed (LONGLISTED, 2017 BAILEYS WOMEN’S PRIZE)

Hag-Seed : The Tempest Retold is part of the Hogarth series of re-workings of Shakespeare by “acclaimed and bestselling novelists of today” (p. 295), and of course there will be readers who cannot think why such a thing is necessary.  But that is a nettle to be grasped another day. In Atwood’s story, actor-director Felix Read More

Featured image of Barkskins (LONGLISTED, 2017 BAILEYS WOMEN’S PRIZE)

Barkskins (LONGLISTED, 2017 BAILEYS WOMEN’S PRIZE)

Barkskins: a simple title for a book which is vast in scope and ambition. Pulitzer Prize-winner Annie Proulx of course has a distinguished background in considering North America’s growing pains protracted over centuries, cultures and evolving politics. She is well able to recognise which grafts take and which do not. So who better to tackle Read More

Featured image of The Gustav Sonata (Longlisted, 2017 Baileys Women’s Prize)

The Gustav Sonata (Longlisted, 2017 Baileys Women’s Prize)

Rose Tremain’s masterful, melancholic and ambitious novel is brimful of the sights and smells of post-war Switzerland, leaving little to the imagination.  Dispelling myths of serene neutrality, her book leads us though a winding path of uncertainty and angst, where “neutrality” is replaced with thorny indifference and there is little grey area between friendship and servitude. In this tantalising tale of adolescence, we follow Gustav Perle on his struggle of discovery. There are few heart-warming moments Read More

Featured image of The Essex Serpent (Longlisted, 2017 Baileys Women’s Prize)

The Essex Serpent (Longlisted, 2017 Baileys Women’s Prize)

A sleepy Essex village is roused to a simmering hysteria as rumours that a monstrous 17th century winged sea serpent has returned, causing an oppressive pall of paranoia to descend on those who live by the banks of the Blackwater. The local vicar, educated and thoroughly modern, battles the rising superstitions of the villagers, a Read More

Featured image of Do not Say We Have Nothing (Shortlisted, 2017 Baileys Women’s Prize for Fiction)

Do not Say We Have Nothing (Shortlisted, 2017 Baileys Women’s Prize for Fiction)

Madeleine Thien is not unused to being shortlisted for prizes, or winning them. Her previous work Dogs at the Perimeter was shortlisted for Berlin’s 2014 International Literature Award and won the Frankfurt Book Fair’s 2015 Internationaler Literaturpreis. She, as with the narrator of Do Not Say We Have Nothing Marie Jiang, is the daughter of Read More

Featured image of The Portable Veblen (Shortlisted for the 2016 Baileys Prize)

The Portable Veblen (Shortlisted for the 2016 Baileys Prize)

Family dramas have always provided writers with fertile subjects for comedy or tragedy; witness the grandeur of Shakespeare’s King Lear or the melancholy of Elizabeth Strout’s My name is Lucy Barton, a small gem of a novel longlisted for the same Baileys Prize this year. The Portable Veblen is Elizabeth McKenzie’s exuberant and surreal comic Read More

Featured image of The Improbability of Love

The Improbability of Love

There are two major problems with The Improbability of Love. The first is that it’s just too long and the second is that it’s dull. The large cast of characters and their sub-plots are exhausting. There is an ensemble cast of at least eighteen different characters, each with a section dedicated to their point of Read More

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