Assurances surely feels like the book J.O. Morgan was born to write, drawn as it is from his father’s work as an R.A.F officer maintaining the Airborne Nuclear Deterrent during the Cold War. Morgan’s poetry is widely recognised as being outstanding, original and this is his sixth book-length poem. What might seem a chilling subject Read More
Phoebe Power’s Shrines of Upper Austria beckons to the wayfarers. An amalgamation of poetry and prose, the collection is a seamless combination of imagery and narration. With its vocal fragments and lyricism, it is both political and perspicacious. Power’s Shrines of Upper Austria reads like the “humming” of a relic folk tune, remembered, re-sung, and Read More
displays of pride, the concupiscent eye bent inward w/ súch deep longing. When readers omit a poem’s title, I’m perturbed. Poets fret over titles. Not just their wording. Should it hold to the left, be centred? Capitalisation? If there is superscription, are italics necessary? Are endnotes too hidden? Are footnotes overly close and distracting? Don’t Read More
There is a tradition of photography that focuses on urban poverty, decay, disintegration, and entropy; in “urbex”, crumbling, abandoned buildings are transformed into hauntingly and fashionably beautiful images. I couldn’t help but bristle at the title of Ocean Vuong’s newly Forward Prize crowned and now TS Eliot Prize shorlister, Night Sky with Exit Wounds. Is Read More
Sure, there is a kernel of some mattered thing in here and understood if only you can eat it and make it matter much. ({{du|he|tao}}) Eric Langley works as a lecturer at UCL, specialising in Shakespeare and Renaissance literature. Although he has had previous publications Read More
Trinidadian poet Richard Georges dispels the myth of the Caribbean as a modern-day paradise in his debut collection by invoking the ghosts and shipwrecks of his native islands in a sequence of darkly foreboding poems. The opening poem “Griot” sets the tone with its description of the voyage of the enslaved Abednego across the Atlantic Read More
Michael Longley has been the recipient of some of the most prestigious literary prizes in the world, including the Whitbread, the T.S. Eliot Prize, the Hawthornden Prize, and most recently the 2017 PEN Pinter Prize. Longley calls his home in Carrigskeewaun, Co Mayo his ‘soul-landscape’; the environment that feeds and inspires his soul. In Angel Read More
I cannot help but question: Does he know the Lord? … So what’s his life about? I want to know. “8” It seems misrepresentative to call this prize-winning début a “collection”. The word implies that each item within has distinctive merit to be effective in its own right. In the case of Apichella’s work, it Read More
At the intersection of poetry, philosophy, and psychoanalysis lies Nuar Alsadir’s Fourth Person Singular. The title is a play on words. If to speak in the third person is to speak removed from the situation, the proposed fourth expands on this separation This manifests in the dreamy detachment and self-reflective awareness that underlines the collection. Teetering in Read More
This is Tara Bergin’s second poetry collection; her first, published in 2013, This is Yarrow, won the Seamus Heaney Prize and the Shine/Strong Award so it comes as no surprise that The Tragic Death of Eleonore Marx should excite much interest. Deservedly so, this is a collection from a unique poetic voice. Playful, dreamlike, with Read More