‘All I’ve ever done with my life is follow the average course’ (The Starling) How bold of Paul Farley to open his recent poetry collection, The Mizzy, with such a provocative admission to have followed the ordinary or ‘average course’? Yet, Farley is anything but average or conventional, and throughout this latest collection, the profound Read More
Arias is American poet Sharon Olds’ twelfth poetry collection. Her 2012 collection, Stag’s Leap, which focuses on the break-up of her thirty-year marriage, won the Pulitzer Prize and the TS Eliot Prize. To say that Olds’ poetry is personal would be an understatement. It is intimately personal, corporeal, visceral, but also somehow transcendent. Her work Read More
This is Canadian-born Karen Solie’s fifth full collection and it is a strange and wonderful read, taking two outwardly unappealing themes of loneliness and indecision and exploring them fully through the eyes of the seventh-century Scottish saint St Ethernan. The titular ‘Caiplie Caves’ were the dwelling place of said saint on the sleepy Fife coast, Read More
‘When l look back now at that time, six months after my husband died, I barely inhabited myself. I was as ghostly as the ghosts I never encountered. I had left, as he died, something of my own body behind.’ (‘Fires’) In this, her fifth collection, Deryn Rees-Jones has much to ask of the muse Read More
It would be easiest to describe Anthony Anaxagorou’s debut collection, After the Formalities, as one that deals with Big Issues. Racism, immigration, and trauma all feature large here. Add to this, as per the publisher’s blurb, ‘tracking the male body’, ‘the threat of violence’, and ‘global histories’. These are all appropriate things to write about, Read More
American poet Terrance Hayes’ latest poetry collection, American Sonnets for My Past and Future Assassin, is a series of sonnets that, as the back of the paperback declares, ‘traces the fault lines of race, gender and political oppression with a singular passion and wit.’ Indeed, this offering of 70 devastating sonnets both disarms and charms the reader. Read More
Ailbhe Darcy’s second collection is a literary force of nature fearlessly exploring themes of love and grief. Much like her debut collection, Imaginary Menagerie, which begins in Dublin and then stretches further afield, Darcy offers a dark telling of the world seen through her eyes. Similarly, in Insistence, an unsettling feeling of hopelessness and anxiety Read More
Nick Laird’s fourth book of poetry, Feel Free, is a cleverly arranged three-part collection exploring the two words of the title: what it is like to feel and the nature of being free, if indeed freedom exists at all. The poems cover a huge range, from metaphysical notions of justice and the meaning of existence, Read More
‘You Are Now Entering Europa’, the opening poem in this, Sean O’Brien’s ninth collection, derives its title from a Lars von Trier film. In the film prologue, the voice of Max von Sydow primes the listener, ‘On the count of 1 to 10, you will be in Europa’, and as he descends the numbers, we Read More
Since the release of his poetry collection in 2014, Zaffar Kunial has been known for his exploration and experiment with language. His Anglo-Indian heritage means he can draw inspiration from both English and Urdu. Us has been praised, among many things, for a melding of languages and for Kunial’s flair for storytelling. Poetry, and indeed Read More