DURA homepage
Skip main navigation menu
  • Home
  • About
  • Contact Us
  • A-Z
  • Submissions
Skip main content

Featured image of Weather

Weather

Weather, the third novel from Jenny Offill, reveals a juxtaposition of modern anxieties: marriage and motherhood demand microscopic introspection at one end of the scale, while the amorphous threat of indistinct global destruction looms large at the other.

Featured image of Dominicana

Dominicana

In Angie Cruz’s third novel, shortlisted for The Women’s Prize for Fiction, a young country girl is trapped by circumstance in a patriarchal society on the brink of civil war. Forced into marriage with a violent, alcoholic man twice her age, fifteen-year-old protagonist Ana Canción carries the burden of her family’s future on her young Read More

Featured image of Lost Children’s Archive: A Novel (Longlisted, 2019 Women’s Prize for Fiction)

Lost Children’s Archive: A Novel (Longlisted, 2019 Women’s Prize for Fiction)

In a recent interview for The Guardian Valeria Luiselli complained that we demand too little of the novel as readers or as students of the form. In upholding “relatability” and “empathy” as praiseworthy qualities, we mistake what are  entry level virtues for the high bar. It goes without saying then that this is an ambitious Read More

Featured image of Freshwater (Longlisted, 2019 Women’s Prize for Fiction)

Freshwater (Longlisted, 2019 Women’s Prize for Fiction)

Freshwater follows the life of Ada, narrated by the gods who inhabited her at birth. What could be seen as a cluster of psychiatric disorders is depicted instead as a spiritual struggle of finding one’s way in the world, all happening in Ada’s head, in the marble room where all her selves are contained. Akwaeke Read More

Featured image of Swan Song (Longlisted, 2019 Women’s Prize for Fiction)

Swan Song (Longlisted, 2019 Women’s Prize for Fiction)

Swan Song is a historical work of fiction, and the first novel by Texan Kelleigh Greenberg-Jephcott. It re-tells the fantastic life of Truman Capote, author of Breakfast At Tiffany’s and In Cold Blood. With a playful interception on the rigidity of biography, it is written in a thrilling collective voice, an ‘our’ which weaves collective memory Read More

Featured image of BOTTLED GOODS (Longlisted, 2019 Women’s Prize for Fiction)

BOTTLED GOODS (Longlisted, 2019 Women’s Prize for Fiction)

Called on its cover ‘a novella in flash’, Bottled Goods follows on from Sophie Van Llewyn’s award-winning flash fiction pieces. This seems a clever move, allowing the author to mix different voices, tenses and forms, never allowing the reader to settle, and mirroring the increasingly jittery and fracturing nature of the life of Alina, the Read More

Featured image of Circe (Shortlisted, 2019 Women’s prize for fiction)

Circe (Shortlisted, 2019 Women’s prize for fiction)

A modern revision of a classic Greek myth is no longer a unique concept. Perhaps this is thanks in part to Madeline Miller’s bestselling debut novel The Song of Achilles, which helped to popularise the idea. Nor is it especially original any more to give maligned women from popular stories ‘the Wicked treatment’, painting them Read More

Featured image of ORDINARY PEOPLE (SHORTLISTED, 2019 women’s prize for fiction)

ORDINARY PEOPLE (SHORTLISTED, 2019 women’s prize for fiction)

Diana Evans’ third novel, Ordinary People, dives deep into the domestic. It revolves around the struggling marital lives of two thirty-something couples living in London with their children. Melissa and Michael were once electric together, full of adventure. Stephanie and Damien were perfect opposites. However, as time passes the couples find themselves ‘living in the Read More

Featured image of Number one Chinese Restaurant (longlisted, 2019 Women’s prize for fiction)

Number one Chinese Restaurant (longlisted, 2019 Women’s prize for fiction)

This is the debut novel from Lillian Li, a graduate of the University of Michigan, whose previous work has been published in prestigious titles such as the New York Times and Granta. It is an intergenerational family saga set in a US Chinese restaurant. The restaurant’s speciality is Beijing Duck, the waiters even wearing “duck-patterned Read More

Featured image of Ghost Wall (longlisted, 2019 Women’s Prize for Fiction

Ghost Wall (longlisted, 2019 Women’s Prize for Fiction

The moors of Northumberland remain wild. Despite the encroachment of pylons and roads, the bogs still hold secrets of the past and dangers in the present. Sarah Moss evokes the stark beauty of the moors in her sixth novel, Ghost Wall. In fewer than 150 pages, she weaves a tale of prejudices, cruelty, rage, mob Read More

  • 1
  • 2
  • Next Page »
DURA facebook page

Copyright © 2025 DURA :: Dundee Review of the Arts (DURA)