It’s a pity Ross Hair’s Avant-Folk is aimed at the academic market-place – pricing it off the bookshelves for most of us – as there’s so much of interest and relevance to Scottish writers and readers. Hair examines the inter-connections and shared sensibilities of poet-artists including Ian Hamilton Finlay, Thomas A. Clark, Lorine Niedecker, Simon Cutts Read More
Visitors entering through the main foyer may well have their attention caught by the major Pictish cross-slab, the St Madoes Stone, or by the delicately embroidered butterflies in glass cases, before they notice the unexpected large black steel arachnid on the wall above eye level. This is placed above the entrance to the Louise Bourgeois Read More
Song used in Edward Small, The Four Marys (Dundee: The Voyage Out Press, 2017; ISBN:9780995512313)
There is a tradition of photography that focuses on urban poverty, decay, disintegration, and entropy; in “urbex”, crumbling, abandoned buildings are transformed into hauntingly and fashionably beautiful images. I couldn’t help but bristle at the title of Ocean Vuong’s newly Forward Prize crowned and now TS Eliot Prize shorlister, Night Sky with Exit Wounds. Is Read More
Sure, there is a kernel of some mattered thing in here and understood if only you can eat it and make it matter much. ({{du|he|tao}}) Eric Langley works as a lecturer at UCL, specialising in Shakespeare and Renaissance literature. Although he has had previous publications Read More
Trinidadian poet Richard Georges dispels the myth of the Caribbean as a modern-day paradise in his debut collection by invoking the ghosts and shipwrecks of his native islands in a sequence of darkly foreboding poems. The opening poem “Griot” sets the tone with its description of the voyage of the enslaved Abednego across the Atlantic Read More
Michael Longley has been the recipient of some of the most prestigious literary prizes in the world, including the Whitbread, the T.S. Eliot Prize, the Hawthornden Prize, and most recently the 2017 PEN Pinter Prize. Longley calls his home in Carrigskeewaun, Co Mayo his ‘soul-landscape’; the environment that feeds and inspires his soul. In Angel Read More
I cannot help but question: Does he know the Lord? … So what’s his life about? I want to know. “8” It seems misrepresentative to call this prize-winning début a “collection”. The word implies that each item within has distinctive merit to be effective in its own right. In the case of Apichella’s work, it Read More
At the intersection of poetry, philosophy, and psychoanalysis lies Nuar Alsadir’s Fourth Person Singular. The title is a play on words. If to speak in the third person is to speak removed from the situation, the proposed fourth expands on this separation This manifests in the dreamy detachment and self-reflective awareness that underlines the collection. Teetering in Read More