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Featured image of TO BE A MACHINE: Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death

TO BE A MACHINE: Adventures Among Cyborgs, Utopians, Hackers, and the Futurists Solving the Modest Problem of Death

You know that episode of Friends where Ross is on one of his mildly patronising rants, oblivious to his friends’ disinterest? Yes, I realise that doesn’t narrow it down. It’s this specific one, when he states: “Soon, there will be computers that can carry out the same amount of functions as an actual human brain! Read More

Featured image of The Months

The Months

            Already from the south             I heard them weeks ago             creaking above me through the air at dusk –             and then the cold. Eighteen below,             each pond a cataract of ice. Where did they go?   Read More

Featured image of Avant-Folk: Small Press Poetry Networks from 1950 to the Present

Avant-Folk: Small Press Poetry Networks from 1950 to the Present

It’s a pity Ross Hair’s Avant-Folk is aimed at the academic market-place – pricing it off the bookshelves for most of us – as there’s so much of interest and relevance to Scottish writers and readers. Hair examines the inter-connections and shared sensibilities of poet-artists including Ian Hamilton Finlay, Thomas A. Clark, Lorine Niedecker, Simon Cutts Read More

Featured image of ARTIST ROOMS: Louise Bourgeois

ARTIST ROOMS: Louise Bourgeois

Visitors entering through the main foyer may well have their attention caught by the major Pictish cross-slab, the St Madoes Stone, or by the delicately embroidered butterflies in glass cases, before they notice the unexpected large black steel arachnid on the wall above eye level. This is placed above the entrance to the Louise Bourgeois Read More

Featured image of Song, “Oh Dear Me”, included in The Four Marys by Edward Small performed by Jane Campbell

Song, “Oh Dear Me”, included in The Four Marys by Edward Small performed by Jane Campbell

Song used in Edward Small, The Four Marys (Dundee: The Voyage Out Press, 2017; ISBN:9780995512313)

Featured image of Night Sky with Exit Wounds (SHORTLISTED, 2017 TS ELIOT POETRY PRIZE; WINNER, 2017 FORWARD POETRY PRIZE FOR BEST DEBUT COLLECTION)

Night Sky with Exit Wounds (SHORTLISTED, 2017 TS ELIOT POETRY PRIZE; WINNER, 2017 FORWARD POETRY PRIZE FOR BEST DEBUT COLLECTION)

There is a tradition of photography that focuses on urban poverty, decay, disintegration, and entropy; in “urbex”, crumbling, abandoned buildings are transformed into hauntingly and fashionably beautiful images. I couldn’t help but bristle at the title of Ocean Vuong’s newly Forward Prize crowned and now TS Eliot Prize shorlister, Night Sky with Exit Wounds. Is Read More

Featured image of Raking Light (SHORTLISTED, 2017 FORWARD POETRY PRIZE FOR BEST DEBUT COLLECTION)

Raking Light (SHORTLISTED, 2017 FORWARD POETRY PRIZE FOR BEST DEBUT COLLECTION)

            Sure, there is a kernel of some             mattered thing             in here and understood             if only you can eat it             and make it matter much. ({{du|he|tao}}) Eric Langley works as a lecturer at UCL, specialising in Shakespeare and Renaissance literature. Although he has had previous publications Read More

Featured image of Make Us All Islands (SHORTLISTED, 2017 FORWARD POETRY PRIZE FOR BEST DEBUT COLLECTION)

Make Us All Islands (SHORTLISTED, 2017 FORWARD POETRY PRIZE FOR BEST DEBUT COLLECTION)

Trinidadian poet Richard Georges dispels the myth of the Caribbean as a modern-day paradise in his debut collection by invoking the ghosts and shipwrecks of his native islands in a sequence of darkly foreboding poems. The opening poem “Griot” sets the tone with its description of the voyage of the enslaved Abednego across the Atlantic Read More

Featured image of THE RED BEACH HUT

THE RED BEACH HUT

In a political climate where homophobia is a symptom of the backlash against tolerance, aided and abetted by populist and right-wing movements across the globe, the publication of The Red Beach Hut raises important questions about society’s misinterpretations of homosexuality. But Michell’s lightness of touch and her ability to get under the skin of her Read More

Featured image of This Time in History, What Escapes / Afghanistan

This Time in History, What Escapes / Afghanistan

It is the empty space between, the reduced, then pared-back-again aesthetic of the spartan cupboards in Rose Frain’s installation This Time in History, What Escapes / Afghanistan currently on show at Edinburgh’s Summerhall, that catches at the heart. Lockers at the corridor end of the old veterinary college building are stocked with minimal provisions – Read More

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