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Featured image of In The Lateness of the World

In The Lateness of the World

In The Lateness of the World is the fourth collection from Carolyn Forché, coiner of the phrase ‘poetry of witness’. Seventeen years on from her last collection, Blue Hour, Forché continues to bear witness with her poems, which here serve as war correspondence, warnings and eulogies, to both individuals and the world around us. Intertextuality Read More

Featured image of After Cezanne

After Cezanne

This collection, Maitreyabandhu’s third with Bloodaxe, has an unusual format. It is illustrated with 25 paintings by the post-Impressionist painter, Paul Cezanne, and together the poems in the collection form a meditation on aspects of the artist and his work. Maitreyabandhu, who studied fine art at Goldsmiths, trained as a Buddhist monk and now lives Read More

Featured image of The Country Between Us

The Country Between Us

There is a cyclone fence between ourselves and the slaughter behind it we hover in a calm protected world like netted fish, exactly like netted fish. It is either the beginning or the end of the world, and the choice is ourselves or nothing. (‘Ourselves or Nothing’) Journalist, academic, memoir-writer, editor, poet and human rights’ Read More

Featured image of The Million-petalled Flower of Being Here (Shortlisted, 2019 TS Eliot Poetry Prize)

The Million-petalled Flower of Being Here (Shortlisted, 2019 TS Eliot Poetry Prize)

By its nature, as the waters of the Ocean, the extent of heaven’s bliss cannot be defined. But the sphere of human happiness is like a dew-drop clinging to a blade of grass. Vidagama Maitreya, Budugunalamkaraya (‘Beauteous Virtues of the Buddha’, 15th century). Epigraph taken from The True Paradise, Gamini Salgado. Reading and re-reading The Read More

Featured image of Noctuary (Forward Prize Shortlisted, Best Collection)

Noctuary (Forward Prize Shortlisted, Best Collection)

Certain kinds of children’s stories have long promised that anything is possible at night when the rest of the world is asleep. So there is a certain magic in just the conceit behind the title of Niall Campbell’s Forward Prize shortlisted second collection. A ‘noctuary’, we are told, is ‘a diary for the late hours’ Read More

Featured image of Insistence (Shortlisted, T S Eliot Poetry Prize)

Insistence (Shortlisted, T S Eliot Poetry Prize)

Ailbhe Darcy’s second collection is a literary force of nature fearlessly exploring themes of love and grief. Much like her debut collection, Imaginary Menagerie, which begins in Dublin and then stretches further afield, Darcy offers a dark telling of the world seen through her eyes. Similarly, in Insistence, an unsettling feeling of hopelessness and anxiety Read More

Featured image of Luck is the Hook

Luck is the Hook

There’s an unexplained comfort in reading Luck is the Hook despite many of the poems dealing with pain and, often, discomfort. Each one contains a space devoid of explanation, a sacred place of intimacy for both the poet and the reader. Awarded the Queen’s Gold Medal for Poetry in 2014, Luck is the Hook is Read More

Featured image of  Jinx (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

 Jinx (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Abigail Parry’s debut collection Jinx is an exercise in sleight of hand, it’s a trick. Parry weaves the familiar elements of nursery rhymes and folktales with darker themes of sex, death and guilt into an uncomfortable combination that plays with readers’ expectations. She borrows characters and stories from those sharp-edged fairy tales with undercurrents of Read More

Featured image of This Changes Things

This Changes Things

Claire Askew’s debut collection, This Changes Things, opens with “Dukkha”, a starkly beautiful and shocking poem, at once lyrical and political.  It moves from a list of basic human needs – simple shelter, water and food – before escalating to include guns, banks and barbed wire to protect property and resources. It ends chillingly: [….]                Read More

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Tongulish

Rita Ann Higgins’s eleventh poetry collection, Tongulish, pulses with conversation. It is a stroll down the street; the ambience of the spoken word splayed across the page. Conversation is volatile and ever-changing from subject to subject; in much the same way, the poems within the collection cover a plethora of subject matter. It is a Read More

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