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Featured image of Ghost Wall (longlisted, 2019 Women’s Prize for Fiction

Ghost Wall (longlisted, 2019 Women’s Prize for Fiction

The moors of Northumberland remain wild. Despite the encroachment of pylons and roads, the bogs still hold secrets of the past and dangers in the present. Sarah Moss evokes the stark beauty of the moors in her sixth novel, Ghost Wall. In fewer than 150 pages, she weaves a tale of prejudices, cruelty, rage, mob Read More

Featured image of Normal People (Longlisted, 2019 Women’s Prize for Fiction)

Normal People (Longlisted, 2019 Women’s Prize for Fiction)

In her second novel, Sally Rooney delivers a compelling love story set in the West of Ireland and grounded in the political realities of recent times. Normal People was hotly anticipated, well received, and continues to see Rooney lauded as a generational writer. Nevertheless, the passivity with which the millennial label is applied within critical Read More

Featured image of THE SILENCE OF THE GIRLS (SHORTLISTED, 2019 WOMEN’S PRIZE FOR FICTION)

THE SILENCE OF THE GIRLS (SHORTLISTED, 2019 WOMEN’S PRIZE FOR FICTION)

Modern feminist revisions of Greek mythology are in vogue. Following Madeleine Miller’s feminist reworking of Homer’s Iliad (The Song of Achilles, 2012) and The Odyssey (Circe, 2018), Pat Barker’s The Silence of the Girls also retells the story of The Iliad from a female perspective. Where Patroclus, Achilles’ steadfast companion, narrates Miller’s Trojan tale of Read More

Featured image of PRAISE SONG FOR BUTTERFLIES (Longlisted, 2019 Women’s Prize for Fiction)

PRAISE SONG FOR BUTTERFLIES (Longlisted, 2019 Women’s Prize for Fiction)

‘Tell all the truth but tell it slant’ If Emily Dickinson’s much-quoted line is a poets’ mantra, not for the first time reviewing, I have to ask – surely its application is wider? When Picasso unleashed Guernica‘s terrible pain and fury, how could he tell that trauma, other than slant? A creative act, burning the Read More

Featured image of MY SISTER, THE SERIAL KILLER (Shortlisted, 2019 Women’s Prize for Fiction)

MY SISTER, THE SERIAL KILLER (Shortlisted, 2019 Women’s Prize for Fiction)

With its stylish cover and alluring title, Oyinkan Braithwaite’s debut novel is as striking as it looks. My Sister, the Serial Killer tells you everything you need to know before the opening pages. But that’s not to say it’s predictable and doesn’t surprise at times.  The novel centres around two sisters, Korede, a nurse, and Read More

Featured image of In Perpetuum

In Perpetuum

Passing over the delicate blooms, looking radiant in its flight, the blue  monarch lands on a honeysuckle, the air filled by the aroma. Serene, it pauses for a moment before it flutters again. Undecided, it glides onto another bloom, this time a rose. The rose – ivory and silky disguises an ominous secret. Looking angelic, Read More

Featured image of Exposition

Exposition

The night is unkind and I won’t go home to it. I hide until the building empties. Security might think I’m here or they may not; either way there is no challenge. My wandering begins when the building is silent. My feet find a path through the book stacks and I let them, though I Read More

Featured image of Death In My Mouth

Death In My Mouth

The hard chew, the too bitter pill to swallow, wash down, digest. To accept mouthy murder, Inflict linguistic lacerations only time can heal. I broke teeth and severed tongue. I lived with a mouth, ulcers clustered. My roof collapsed but truth lay underneath, buried and lost. I bet if I retched right, regurgitated, I could Read More

Featured image of Cruel Hands

Cruel Hands

The cruel hands of wicked men, made me their prey. I can do nothing but peer     between      fingers into wicked eyes. Throw the word ‘laws’ into the silence and pray. © Nicole Gemine From A Cabinet of Curiosities: Reimagining Rare Books. A disparate trove of pieces created by students of Writing Practice and Study, inspired by their work Read More

Featured image of Danse Macabre

Danse Macabre

He steps out of the limo, lithe and supple. He glides over the carpet. Slides between camera flashes. Pirouettes around questions. Its almost comical, the excessive grace with which he dances around the paparazzi. He pauses to wave at a cluster of middle-aged women. They shriek in delight. Then an arm winds its way around Read More

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