Sitting outside in a motorway cafe on a cool August evening after the mizzling rain, Kirsty Gunn and I talked intensely (as we do) about a novel we had difficulties with. Many of our exchanges were underpinned by the question: how does form and genre enable writing to tackle its subject matter successfully? Will Harris’ Read More
Amongst other dedications in Postcolonial Love Poem, Natalie Diaz singles out bodies—’towards our many bodies of flesh, language, land and water.’ Bodies are critical because they are primary symbols of the self and constants in our equations with others; whether it is love or war – these bodies form tribute and legacies, weapons and Read More
The way we are forced to work around the pandemic unfortunately applies to the launching of poetry publications also; as Rachel Long’s My Darling from the Lions was published at the start of August, chances for public appearances, speaking and promoting her work are all but whipped away. The publication must speak for itself. Long Read More
Like elderly actresses, performing until they drop, one boasts an errant streak […] (‘These roses you gave me’) Perhaps it’s unsurprising that these lines come from a poem with the central metaphor of flowers. Vicki Feaver, more than almost anyone, has seized that subject, daring to write it – as a woman – not in Read More
City of Departures represents departures from home, touching down in a number of European cities, but it also represents a departure from reality, diving deep into an uncanny, dream landscape. That landscape is urban, but it is not to be found in the busy carriageways and shopping centres, nor the packed pubs and restaurants and travel Read More
Isabel Galleymore’s first full collection begins with an epigraph from Donna Haraway drawing attention to a planetary ecology where different species share developmental trajectories and living spaces; these are ‘companion species’ that are nevertheless distinct and irreducible one to another. The challenge in Significant Other is to avow species strangeness without estrangement. Not to exoticize Read More
Certain kinds of children’s stories have long promised that anything is possible at night when the rest of the world is asleep. So there is a certain magic in just the conceit behind the title of Niall Campbell’s Forward Prize shortlisted second collection. A ‘noctuary’, we are told, is ‘a diary for the late hours’ Read More
Capturing the experiences of womanhood with currency for our time may require an acknowledgement of contrast, notably between the furiously public domain of the #metoo campaign and its associated high-profile sexual assault cases, and the hidden realities of motherhood and female domesticity. Fiona Benson’s second collection of poetry, Vertigo & Ghost, delivers a duality that Read More
Deaf Republic begins with a gunshot. As an innocent deaf boy falls to the ground, the townspeople choose silence over the sound of a child’s body hitting the street, a sound that would be filled with pain and injustice: ‘The sound we do not hear lifts the gulls off the water’. The rest of the Read More
Raymond Antrobus has chosen the epigraph for his first collection wisely: ‘There is no telling what language is inside the body’ (Robin Coste Lewis). Antrobus explores his experiences with late-diagnosed Deafness, mixed heritage experience (Antrobus is Jamacian British), and an alcoholic parent; but beneath these concerns is ultimately his passion for communication. There’s something that Read More