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Featured image of Truth Street (FORWARD PRIZE SHORTLISTED, THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Truth Street (FORWARD PRIZE SHORTLISTED, THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

On April 15th,1989, 96 lives were lost in the infamous Hillsborough Stadium Disaster, when two pens filled with fans became fatally overcrowded during a match. Although the cause of the tragedy was originally attributed to drunkenness and football hooliganism, a second inquiry in 2016 painted a picture of negligence, incompetence and corruption. 30 years on Read More

Featured image of Surge (Shortlisted, 2019 TS Eliot Poetry Prize; Shortlisted, 2019 Forward Poetry Prize)

Surge (Shortlisted, 2019 TS Eliot Poetry Prize; Shortlisted, 2019 Forward Poetry Prize)

Not rivers, towers of blood. (‘Sentence’) In 1981, Glasgow School of Art’s Ceramics Department and its famous dances, were housed in the Haldane building, the city’s shambolic former police horse stables. This may have been a long way from New Cross Road, the tragedy, the official and media indifference in its aftermath and the lasting Read More

Featured image of If All the World And Love Were Young (Forward Prize Shortlisted, The Felix Dennis Prize for Best First Collection)

If All the World And Love Were Young (Forward Prize Shortlisted, The Felix Dennis Prize for Best First Collection)

From the first moment we set foot onto ‘Yoshi’s Island’ in Stephen Sexton’s If All the World And Love Were Young, we are whisked along. There is no time to situate ourselves before we are riding on Yoshi’s back through the long-distant lands of Sexton’s childhood where he joins Mario in battling against the bosses Read More

Featured image of WADE IN THE WATER (SHORTLISTED, TS ELIOT POETRY PRIZE)

WADE IN THE WATER (SHORTLISTED, TS ELIOT POETRY PRIZE)

“If we had a vision and a feeling of all ordinary human life, it would be like hearing the grass grow […] and we should die of that roar which lies on the other side of silence.” (George Eliot, Middlemarch.) The US Laureate, Tracy K. Smith, in her fourth collection of poetry, explores that “other Read More

Featured image of Venus as a Bear

Venus as a Bear

The intriguing title of Vahni Capildeo’s exquisite collection, Venus as a Bear, promises a kind of transformational prose, a mish-mash of animal and myth, of the ordinary and the extraordinary – and it surely delivers.  A winner of the 2016 Forward Poetry Prize, Capildeo is undoubtedly a worthy contender for this year’s prize. Capildeo’s verse Read More

Featured image of Calling a Wolf a Wolf (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Calling a Wolf a Wolf (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Kaveh Akbar’s poetry is captivating not only for its beautiful turn of phrases but also for its more profound musings in evocative lines that linger: “eternity looms/ in the corner like a home invader saying don’t mind me I’m just here to watch you nap”. Yet Calling a Wolf a Wolf isn’t simply a sum Read More

Featured image of  Jinx (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

 Jinx (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Abigail Parry’s debut collection Jinx is an exercise in sleight of hand, it’s a trick. Parry weaves the familiar elements of nursery rhymes and folktales with darker themes of sex, death and guilt into an uncomfortable combination that plays with readers’ expectations. She borrows characters and stories from those sharp-edged fairy tales with undercurrents of Read More

Featured image of Everyone Knows I Am a Haunting (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Everyone Knows I Am a Haunting (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY: THE FELIX DENNIS PRIZE FOR BEST FIRST COLLECTION)

Shivanee Ramlochan is a jack-of-all-trades. She is an arts reporter, book blogger, editor and reviewer for The Caribbean Review of Books, and a poet living in her native Trinidad. Her first collection, Everyone Knows I Am a Haunting, opens with a poem entitled “A Nursery of Gods for My Half White Child”, introducing us to Read More

Featured image of Don’t Call Us Dead (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY, BEST COLLECTION)

Don’t Call Us Dead (SHORTLISTED FOR 2018 FORWARD PRIZES FOR POETRY, BEST COLLECTION)

Two naked black men, one lifted up by a balloon, the other letting go of him. This stunning image on the front cover is intensified by a photograph of the poet on the back cover – Danez Smith, a black, gay, HIV-positive, queer slam poet from Minnesota. Don’t Call Us Dead has been shortlisted for Read More

Featured image of Soho (SHORTLISTED, T S ELIOT POETRY PRIZE)

Soho (SHORTLISTED, T S ELIOT POETRY PRIZE)

Richard Scott’s first collection, Soho, is an uncompromising portrayal of life as a queer man, in a modern queer community. Intense and intimate, the collection is split into four parts, each focusing on a different aspect of Scott’s queer experience: violence, love, shame and community – though elements of each of these themes run through Read More

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